A Quote by Laura Dave
This wasn't because he liked me, I was sure. It had more to do with him banking on what we of wedding age had all become witnesses to-how during these wedding weekends, single women, feeling a little lonely, maybe, or just feeling a little too far from being the bride, found themselves loosening their own rules, opting to be more flexible, more quickly.
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I think that it was a great feeling and probably a little bit more special because of the length of time that had passed before we won, but I think more importantly, it was just a great feeling because this team had such strong leadership and they had great chemistry.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
Maybe there is a feeling that women get judged more about how they look and how they present themselves visually as opposed to what they are thinking and feeling. Especially as a female performer that happens a lot, and I think that is regressing even more, which I find really sad.
It is not quite right to describe One Taste as a "consciousness" or an "awareness," because that's a little too heady, too cognitive. It's more like the simple Feeling of Being. You already feel this simple Feeling of Being: it is the simple, present feeling of existence.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
I think I've always had that struggle my whole life, of feeling a little bit more gender-neutral, feeling more comfortable as a creative person when I'm dressed like a boy, when I'm dressed more masculine.
You know you knit too much when ... You take knitting to a wedding, in case there's a little time before the bride comes down the aisle. Double points if you are the bride.
I had seen the light, come to believe that a wedding should be about a feeling between two people, not a show for the masses...It was a magical, romantic evening, and although I occasionally wish I had worn a slightly fancier dress, and that Nick and I had danced on our wedding night, I have no real regrets about the way we chose to do things.
Right now, the technological world plus God or spirituality is evolving. I think America has become a little bit too corrupt, government's a little too corrupt, too greedy. Many corporations are too greedy. The labor unions are too greedy. That effects charities and religious organizations. I just think it's greed. That's why, in 1985, I had to figure out how to give before I received. The more I focus on giving, for less and less, the more and more I make.
Never was an age more sentimental, more devoid of real feeling, more exaggerated in false feeling, than our own.
I was feeling lonely without her, but the fact that I could feel lonely at all was consolation. Loneliness wasn't such a bad feeling. It was like the stillness of the pin oak after the little birds had flown off.
Every American wants MORE & MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more & more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.
On the first day of my shoot for 'School Master,' I was feeling a little uneasy because I had to travel a lot. I was feeling a little sleepy too. After the completion of each shot, I would go for a small nap.
I have had more magazine covers in the last 25 years than I have had in my whole elongated career. [...] Today I am in a territory that business considers unmarketable: age and white hair. Slowly, however, I started to own that territory little by little because I stood up for age.
I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.
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