A Quote by Laura Dekker
Over a period of 11 months, I was constantly afraid that Youth Care would lock me up. It was all a frightening and traumatic experience. So often, these terrible memories come to me. I can't ignore them.
Related Quotes
Over a period of 11 months I was constantly afraid that Youth Care would lock me up. It was all a frightening and traumatic experience. So often these terrible memories come to me. I can't ignore them.
There is a man out there who prosecuted me. He's been constantly calling different lawyers, telling them how afraid of me his is. He's afraid I'll come after him now that I'm out, because of all the horrible things he did to me. The furthest thing from my mind I would ever do is waste a day being vindictive.
I was afraid my family would lock me up and give me electroshock. I was a screaming queen.
My mother tried really hard to protect us, but occasionally, after afternoon cartoons of whatever was on... the nightly news would come on, and I'd see footage from the war zone, and I would hear the word 'Vietnam,' and I would know my dad was over there, and it was a very frightening experience for me.
I was not addicted to stealing in my youth, nor have ever been; yet such was the confidence of the Negroes in the neighborhood, even at this early period of my life, in my superior
judgment, that they would often carry me with them when they were going on any roguery, to plan for them.
Men are even afraid to say, 'You look nice,' or, 'You look pretty,' when you come out of hair and makeup to walk on set. And before, men would constantly - producers would constantly say things, but that's kind of a way that they would butter the actresses up and make them feel secure.
People talked to me in a way I think they would not have talked to somebody who hadn't shared the experience; they gave me their papers, they gave me their diaries. I found people constantly opening up to me. And I think they did because I had shared that experience with them.
I am not allowed to be afraid. My mother made me like that. As a child, if I was afraid of the dark, she would lock me in the closet. Things like this. And she would talk about the time she spent in the concentration camp, but not about being afraid, only about the good side of it.
If I didn't forgive the people who took me into the barracks and beat me unconscious over a period of days during the period when the British state was indicted for inhuman and degrading treatment in 1971-72, or even the guys who shot me, if you don't forgive them, you end up with unnecessary baggage.
It has to be about more than punishment. We need to rehabilitate people. We lock up far too many people in America today. We lock them up as if locking them up is gonna solve the problem. And locking them up does not solve the problem. Did locking me up make me better? No, it did not. It made my struggle harder.
The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it.
Often, I'm spending months with a person in a very intimate context, getting to know the ins and outs of what they ate for breakfast, not to mention dredging up the most traumatic experiences of their lives, digging through their documents and photographs from difficult times, all of that. And that process, I think, can be extraordinarily strange for subjects who've never been interviewed before, especially if you don't acquaint them from the get-go with what you're trying to do, what it entails, and why you care.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
No, what worries me is that I might in a sense adapt to this environment and come to be comfortable here and not resent it anymore. And I am afraid that as the years go by that I may forget, I may begin to lose my memories of the mountains and the woods and that's what really worries me, that I might lose those memories, and lose that sense of contact with wild nature in general. But I am not afraid they are going to break my spirit.
When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
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