A Quote by Laura Dern

It's a strange world, as David Lynch would say. — © Laura Dern
It's a strange world, as David Lynch would say.
It's a strange world, as David Lynch would say
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
We love David Lynch. We're big David Lynch fans.
I saw David Lynch's 'The Elephant Man' when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it.
I saw David Lynch’s “The Elephant Man” (1980) when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it.
But I would love to work with David Lynch, if I could. He's my hero.
I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.
Our music would probably be a really dark ocean, so you may not know where you are. It's not so literal. It's like a David Lynch movie.
It would be great to make a movie that had the style of a great '30s film or a movie of David's Lynch or some other director I love that could also make money, because that would say to the corporation, "Yes, you can make money and still do art." But it's tricky.
The place looks like where David Lynch would meet Beaver Cleaver's mom for secret afternoons of bondage and milkshakes.
I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.
I sort of do what I say and say what I do which I'm happy with because it makes my life real easy. When I was younger, people would say that I was inspired by David Lynch, so I went and watched his stuff and I was surprised. I thought it was smart, with what I was trying to do lyrically. So I started watching some of his stuff. I've never seen his movies in [their] entirety, I'm more interested in him as a person and how he came to be successful taking an alternative route, sort of a subculture icon.
When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'
I would have loved to have been in the room with the ABC executives when they watched David Lynch's 'Mulholland Drive' TV pilot. You know that had to be a long silence after that thing stopped.
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