A Quote by Laura Dern

I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that. — © Laura Dern
I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
I was raised by an actress, and I watched all those women turn 60 and ask, "Should I get face work?" And my mother and Anne Bancroft said to each other, "We are who we are, and we're not going to fall into that."
I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, "You know, they used to call this a urine jacket, but it didn't sell."
My grandmother and mother were from Italy, so I was raised Catholic. That kind of just meant going to church on Easter and Christmas. I saw a radical transformation in my family when they started going to a Christian church. I watched them fall in love with God.
If you look at the greatest performances of women, they're usually older... Anne Bancroft in 'The Graduate,' Kathy Bates in 'Misery.' It's a matter of characters having a life experience that makes them interesting.
I was miscast in that production [of Mother Courage and Her Children] ... but it was with Anne Bancroft, whose boyfriend at the time was Mel Brooks, and that made my - I can't say my day, it made my life, in a way.
The emotional elevation of the film is due in no small measure to the extraordinarily engaging performances of Anne Bancroft as the wife-mother-mistress, Dustin Hoffman as the lumbering Lancelot, and Katherine Ross as his fair Elaine.
I loved playing Anne Bancroft, because she was so wonderfully arch.
My favorite actresses were Geraldine Paige, Anne Bancroft and Kim Stanley.
I had been very close to Anne Bancroft when we worked together in The Miracle Worker.
I had been very close to Anne Bancroft when we worked together in The Miracle Worker
Yes, it's beautiful,' said Gilbert, looking steadily down into Anne's uplifted face, 'but wouldn't it have been more beautiful still, Anne, if there had been no separation or misunderstanding . . . if they had come hand in hand all the way through life, with no memories behind them but those which belonged to each other?
Oh, Callie-mine," Anne said, her voice taking on a tone she'd used when Callie was a little girl and crying over some injustice, "your white knight, he will come." One side of Callie's mouth kicked up in a wry smile. Anne had said those words countless times over the last two decades. "Forgive me, Anne, but I'm not so certain that he will." Oh, he will," Anne said firmly. "And when you least expect." I find I'm rather tired of waiting." Callie laughed half-heartedly. "Which is probably why I've turned my attentions to such a dark knight.
I like women to be attracted to me. See, when you get 60 years old, and they know you're 60, the only women you can get are 55-year-old women, and I like younger women.
So many people ask, 'How could you forgive your mother for the way you were raised?' It's really not forgiveness, in my opinion. It's acceptance. She's never going to be the sort of mother who wants to take care of me.
We're going' Anne said firmly. So soon?' Percy pleaded. 'But stars come out at night.' Then they fade at dawn', Anne replied. 'This star needs to veil herself in darkness.
I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
This site uses cookies to ensure you get the best experience. More info...
Got it!