A Quote by Laura Dern
My daughter wants to do yoga with me and wants to be in the theater thing, and I can't tell her, 'Don't be an actress.' My son loves guitar and loves to be in a band and wants his iTunes downloaded with all this old-school hip-hop so he understands where hip-hop came from.
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I'm really into old school music when hip-hop first came out with Common, A Tribe Called Quest, Queen Latifah, MC Lyte, and Run DMC. I'm really into that! Hip-hop these days isn't the same and doesn't have the same sound anymore. I'd rather listen to the old school hip-hop.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music
Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I wake up hip-hop,
Go to sleep hip-hop,
Dream 'bout hip-hop,
'Cause I AM HIP-HOP.
I'm a child of the 70's. R&B to me is Curtis Mayfield. Then a transition came in and I was part of the Hip Hop era when Sugar and Kane came out. That was a good transition for me. Then now R&B is Hip Hop and Hip Hop is R&B.
I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
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