A Quote by Laura Dern

I'm not averse to being a supporting character. I try to pick parts where I can add something. — © Laura Dern
I'm not averse to being a supporting character. I try to pick parts where I can add something.
I try to pick the best from what is offered to me, and then with roles, also, I try to add something new. There is a constant conflict to not become repetitive.
I just look for interesting supporting-biggish supporting parts, and try to do one a year, and that's my limit. Some women can do it and that's fantastic, but I can't. You make choices as a wife and mother, don't you? You can't have it all. I don't care what it looks like.
As you become acquainted with a character you are creating, you add parts of yourself that are pertinent to that character.
What you would call a 'lead,' I've always considered a supporting part, and what people would call 'supporting parts,' I've considered leads. In a way, I look at it in reverse, because supporting parts - when they're done correctly - are the ones that are progenitors for storylines, to move forward.
Read the script as a fan and try to create this community in your head. That's the thing that a lot of people tend to forget - it's not just about your character. Even if you're a lead, you're still supporting the supporting the entire story.
We're very lucky, men, that there are these fabulous parts. Women - once you've done all the parts in Shakespeare, they start running out. So you can pick and choose and find something to energise you.
I say I'm a rebel. I'm continually fighting against [sexism]. I don't take parts because they're for the sexy girl. I take the sexy girl parts and try to give them something else and make them a character.
I take the sexy girl parts and try to give them something else and make them a character.
I'm not averse to being tied up in silk scarves. I like a man to take charge. There's something very sexy about being submissive.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
I always try to pick my parts to be as diverse as I can, and especially when you do 'Game of Thrones' for so many months of the year.
I can't always pick and choose, but I try very hard to take the roles where they are a bit more human. Sometimes there's a hilarious thing that comes along and it might not be the most interesting character, but I'm just delighted to be able to do something.
I try not to focus on taking things away; I try to add in nutrient-rich foods into the things I eat. I don't say, 'I'm going to take out the fat.' I say, 'What can I add in to make my muscles work more? What can I add into this that will give me the vitamins I need?' It feels luxurious!
I've learned, over the years, to go after the parts where I feel I can add something.
Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved.
What is the character trying to say? Why? Be as specific as you can, using sense images that evoke something about the character. Try using the character's senses, even if the character is you.
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