A Quote by Laura Dern

I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60. — © Laura Dern
I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
I'm pretty good with languages. I know a bit of French and actually want to live in France some day so that I can get fluent. I think it'd be tragic to go through life only knowing one language.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
It's a choice of civilization. I will be the president of those French who want to continue living in France as the French do.
In France, they make you feel that you cannot be two things at the same time. You can't be French and Arabic; you can't be French and Muslim.
I learned my French through school. I was lucky in that the tutor on 'The Wonder Years' set spoke fluent French.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
Whether you like it or not, France's history is unique in Europe. Not to put too fine a point on it, France is a country of regicidal monarchists. It is a paradox: The French want to elect a king, but they would like to be able to overthrow him whenever they want. The office of president is not a normal office - that is something one should understand when one occupies it. You have to be prepared to be disparaged, insulted and mocked - that is in the French nature.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
I grew up in France, my first language was French, and I tend to gravitate towards French cooking.
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