A Quote by Laura Dern
I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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You're not directing an actor toward a thing they can't achieve. Because direction is elusive. When directors hold respect for the various craftsmen and -women who are telling the story, it's the greatest result. I think people do their bravest work when given an elusive canvas.
Most people in the country would think the diamond jubilee is a wonderful occasion for us to celebrate together as a community and as a nation. But I suspect that most people in the country would think, given that there is very little money around, that this probably would not be the top of their list of priorities for the use of scarce public resources.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
You see, every day, that the people who are seemingly so confident and seemingly so in love with themselves are the ones who are the most insecure and hurting the most inside.
Money is like a canvas or a shape shifter. It's like whatever you project on that canvas, that's what money is for you. Really, in its essence it's power. Most people relate to money the way they relate to power. They either think other people have it, and they don't and they're mad about it, or they feel fearful of it like having it would be a burden or a responsibility.
Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life.
People are most shocked and most in disbelief that I go to the office every day. I have a job. When I'm not acting on a movie, I go to work, first thing in the morning. I'm at work at 8 o'clock in the morning, and I get home from work at 7 o'clock at night. I treat my job like a job, and I work at it. I think people would probably be most surprised, if I ever calculated up the number of hours I work on an average week and published that. If it was ever documented, I think people would be shocked to find out.
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.
In my life, it would probably be giving birth to my daughter. That probably is the most, the thing that moved me the most, was the most memorable, the most wonderful, the most miraculous. I think a lot of women would probably feel that way, too.
There was something really wonderful about being able to feel confident about doing my first exhibition in China, that people would have no trouble recognising the images and understanding my work. I also have a lot of freedom in the way I use colour, and I think that kind of freedom in colour is also understandable in every culture.
We all understand that we are living longer, and we are more likely to spend more years as frail, elderly people who can't work. We also recognize that the wonderful advances in medicine also come with wonderful price tags. Those are things you can't budget around.
It is not given to princes, statesmen and captains to pierce the mysteries of the future, and even the most penetrating gaze reaches only conclusions which, however seemingly vindicated at a given moment, are inexorably effaced by time.
The agricultural population produces the bravest men, the most valiant soldiers,46 and a class of citizens the least given of all to evil designs.
I've given my phone number to the weirdest people. I get texts from people all the time.
I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders...The artist can make his scenes and characters live instead of stand still on canvas in art museums.
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
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