A Quote by Laura Dern
When you're playing someone who has a strong ego about themselves, you can't play them when you have the opposite opinion of the one they have of themselves.
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I feel vulnerable when my ego is threatened - if I get jealous of another band's good time slot at a big festival, if I'm about to get clobbered in a political debate, if I'm trying to impress someone I have a crush on. It's the opposite of openness, letting go, allowing deep feelings to express themselves. For me, that comes from playing music and from kissing.
It's been my experience that people who make proclamations about themselves are usually the opposite of what they claim to be. If someone is truly a loyal friend, then they wouldn't need to broadcast it; eventually, people will figure it out. I have a lot of good friends and not one of them has ever introduced themselves by saying, 'I'm a very good friend.'
Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
How then shall they have the play-games you allow them, if none must be bought for them?" I answer, they should make them themselves, or at least endeavour it, and set themselves about it. ...And if you help them where they are at a stand, it will more endear you to them than any chargeable toys that you shall buy for them.
Melancholia for Freud is the relationship that the subject takes up with respect to itself from the position of what he calls conscience or what he later calls the super-ego. And that can be lacerated - if you think of the anorexic who sees themselves from the perspective of the image they have, of the image they have of themselves in the mirror which is false - that would be the super-ego. Super-ego is what generates depression and it is what has to be dealt with in psychoanalysis.
It's important for me to take very famous, well-known people and not have them play themselves and not have them be seen as themselves.
Level 5 leaders channel their ego needs away from themselves and into the larger goal of building a great company. It's not that Level 5 leaders have no ego or self-interest. Indeed, they are incredibly ambitious-but their ambition is first and foremost for the institution, not themselves.
We try to teach women how to be strong, how to believe in themselves, how to make themselves happy, as opposed to pleasing someone else first.
It is funny that men who are supposed to be scientific cannot get themselves to realise the basic principle of physics, that action and reaction are equal and opposite, that when you persecute people you always rouse them to be strong and stronger.
Muslims want the western countries to apologize. Why? because this gives them a sense of empowerment. It makes them feel good about themselves, it stokes their ego.
I've always wanted people to feel great about themselves, for people to know how special they are and really love themselves and accept themselves and celebrate themselves.
A Black man should be more independent and depend on himself for his freedom and not to take it for granted that someone would lead him to it. The blacks are tired of standing at the touchlines to witness a game that they should be playing. They want to do things for themselves and all by themselves.
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
Life's about ego. So for someone to talk about my ego, as they are writing their piece about my ego, I'm wondering what they're doing with their ego?
What a person feels within themselves and about themselves radiates from them. Trust me, I have worked with people - both men and women - who are not what most would consider conventionally attractive, but who exude such a magnetism about them that people are compelled to watch them on stage or screen.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
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