A Quote by Laura Donnelly
You never want to sound bitter about critics, because they're entitled to do their job, too, but I place much more trust in a person who I can look in the eye and someone who I know I share some kind of taste with - so my friends, for instance. For me, a critic is unknown and therefore irrelevant.
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Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
I just kind of shoot the finger to the critics. I don't give sh - what a critic says. To me a critic is some loser who has no idea... someone with an opinion. We all have opinions.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
I tend to share whatever I know in general. I've never been a person to horde information for the sake of my own skin, you know what I mean? Not share so somebody doesn't take your job, I've never had that kind of insecurity. I also had a management company, too, so we were always one of those companies that shared information with our artists. Whatever they wanted to know, as much as they wanted to know, they could know.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
I have some friends, most of them are writers or editors, whose recommendations I trust blindly. There are some critics, too, whom I trust, but not many.
When you want to share something with another person more than anything, it is one of the most difficult things to realize that you can never have it. Accepting this realization is even more difficult. Loving someone does mean saying goodbye to them in some cases, though we will fight that until the oftentimes bitter end before doing the right thing.
You know what somebody else's fundraise metrics are to you? Irrelevant. You know what your own last round post was? Irrelevant. Yes, I know, not legally, because of those pesky rights and preferences. But emotionally, trust me: it is irrelevant now. We even have a name for this - valuation nostalgia.
I'm always more comfortable and in a good place when I'm with friends because I know they trust me. I'm able to get great performances from people who trust me.
I believe there is some kind of magic that comes just from looking at somebody. In the beginning, I called it "Genius" in a very cynical way. Then I started to look at real geniuses in history and all of them have the same expression, of something very bitter. It's bitter because they have this kind of knowledge that they cannot share. They don't have the time or energy to deal with other people.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
I have always been accused of taking the things I love – football, of course, but also books and records – much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me. Perhaps it was these desperate, bitter men in the West Stand at Arsenal who taught me how to get angry in this way; and perhaps it is why I earn some of my living as a critic – maybe it’s those voices I can hear when I write. ‘You’re a WANKER, X.’ ‘The Booker Prize? THE BOOKER PRIZE? They should give that to me for having to read you.
Hello...Although you (reporters) are busy thank you for coming to this place. Today, the reason that I called you...I wanted to talk about some girl. Currently, I love a certain girl. I really love this girl too much. She is a person who finds happiness and joy in small things, when i'm with her, I'm always happy. She is also a person who told me how happiness felt like. Because of this, Because of this, because i love this girl too much, because i want to protect this girl...I am getting a divorce.
You show me what someone listens to, I’ll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
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