A Quote by Laura Hillenbrand

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen
I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.
I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.
When you are young, your potential is infinite. You might do anything, really. You might be Einstein. You might be DiMaggio. Then you get to an age where what you might be gives way to what you have been. You weren't Einstein. You weren't anything. That's a bad moment.
You think of what might have been different if dad had been around, or how I might have turned out as a person. You just don't know. I might not even be playing cricket.
As a science-fiction writer, I feel my responsibility is to look ahead and see the dangers of what might happen and try to warn people of the potential pitfalls.
I started out as a writer of fiction, but nobody wanted to publish my work as a young man. So I decided to put my interest in the narrative writing of biographies.
For a while I never show anybody what I'm writing, and during that time I need the feeling that publishing is only an option. I might publish this, I might not. I think if I had to publish it, I might panic.
The typical jobs that a lower-skilled immigration worker might do might be construction work, it might be hospitality work, it might be restaurant work, or might be not working at all and just going onto the welfare system if there isn't a job for that individual.
And it dawned on me that I might have to change my inner thought patterns... that I would have to start believing in possibilities that I wouldn't have allowed before, that I had been closing my creativity down to a very narrow, controllable scale... that things had become too familiar and I might have to disorientate myself. p.71
I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
I think I view myself primarily as a fiction writer. Poetry is more of a "hobby," a time of rest from the hard work of writing fiction.
I've always been someone who has been very driven. I think my circumstances, how I grew up, hard work and work ethic are absolutely vital to any success that people might have, regardless of what they might be doing.
It's very hard to be an experimental woman writer. If I had been writing under a pseudonym, just initials, I might have a different reputation - but, then I couldn't be myself either.
I think it's no coincidence that people who are good at writing far-out fiction are also good at meta-fiction. Think of all the best Phillip K. Dick stories, where you experience a sort of dislocation, and suddenly what you think you've been reading is, in fact, something else entirely.
I feel a lot more secure about the directions I take, than I might have, had I not practiced Buddhism.
You are the male I might have been. You are the potential I had and lost. You are the honor and the strength and the kindness she needs. You'll take care of her. I want you to take care of her.
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