A Quote by Laura Hillenbrand

I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Everyone who has ever overcome hardship or adversity has done so in large part because he or she has chosen, consciously or unconsciously, to "let go" of their past hardship and pain by embracing, what I call, a Miracle Angle - a way of seeing their circumstances that allowed them to transform their circumstances into a spark for positive change.
You will feel discouraged; you will lose confidence in your abilities; you will be bored with the characters–and the only way to overcome these obstacles is to write your way through them. And writing always works.
I really like writing for specific projects. It's a whole different way of writing when you have certain guidelines and a theme you're writing to. It's very inspiring.
Writing was a way to get away from my life as a programmer, so I wanted to write about other things, but of course nobody wanted to publish another story about a family, unless it was extraordinary. When I began writing about my life as a programmer, however, people were interested.
I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.
Deep down we all suspect that something is very wrong with the way we perceive life but we try very, very hard not to notice it. And the way we remain blind to our frightful condition is through an obsessive and pathological denial of being -- as if some dreadful fate would overcome us if we were to face the pure light of truth and lay bare our fearful clinging to illusion.
The story goes that every Jedi constructs his own lightsaber, and every penmonkey constructs his own pen. Meaning, we all find our own way through this crazy tangle of possibility. This isn't an art, a craft, a career, or an obsession that comes with easy answers and isn't given over to bullshit dichotomies. We do what we do in the way we do it and hope it's right. Read advice. Weigh it in your hand and determine its value. But at the end of the day - and at the start of it - what you should be doing is writing. Because thinking about writing and talking about writing just plain isn't writing.
The theme that runs through my movies is the fact that we create barriers for ourselves....because we say, Well, I can't do that. But in the end, you can't do it unless you can imagine yourself succeeding at it.
At last I understood that the way over, or through this dilemma, the unease at writing about 'petty personal problems' was to recognize that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can't be yours alone. [...] Growing up is after all only the understanding that one's unique and incredible experience is what everyone shares.
These really are our days, and we can prevail and overcome, even in the midst of trends that are very disturbing. If we are faithful the day will come when those deserving pioneers and ancestors, whom we rightly praise for having overcome the adversities in the wilderness trek, will praise today’s faithful for having made their way successfully through a desert of despair and for having passed through a cultural wilderness, while still keeping the faith.
I wanted to be a director first to protect my writing. I'm a playwright and you don't need to protect your writing when you're in the theater because everyone's there to protect the writing. When I had an idea for a film that I really cared about as my own, I wanted to direct it, and then I immediately became interested in directing in and of itself because it's such a deep art. You suddenly have all these tools at your disposal to tell the story.
When I'm writing comics, I'm also visualizing how the story will look on the page - not even always art-wise, but panel-wise, like how a moment will be enhanced dramatically by simply turning a page and getting a reveal. It requires thinking about story in a way I never had to consider when I was writing prose.
America is the story of everyday people who did extraordinary things. A story woven deep into the fabric of our society.
There's no secret about it: Every team does things differently. Seattle runs their program one way. New England runs it another way. Philly runs it another way.
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