A Quote by Laura Huxley

Each asana is like a piece of music that has a certain characteristic, a certain power. — © Laura Huxley
Each asana is like a piece of music that has a certain characteristic, a certain power.
I have my own style, but it's different for each kind of music. There are certain little characteristic things every player has.
To each is given a certain inward talent, a certain outward environment or fortune; to each by wisest combination of these two, a certain maximum capacity.
I like conflicts. I love competition. I like discovering things for myself. It's a childlike characteristic, actually. But that gives you a certain amount of power, and people are intimidated by that.
Everything I do has a certain quality, a certain flair, a certain flavor. I like to eat the way I like to dress, the way I listen to music: put it all together, and it's a great party.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
I feel like certain people think that certain styles of music will taint their jazz style.
People are afraid, very much afraid of those who know themselves. They have a certain power, a certain aura and a certain magnetism.
Nations, like individuals in a state of nature, are equal and independent, possessing certain rights and owing certain duties to each other.
I create each character as an individual, coming from a certain place, sounding a certain way, having been introduced to things a certain way.
Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.
My fans like a certain quality and a certain level of music. Once I give it to them, they seem pretty happy.
A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
I feel like 'Power Rangers' as just a franchise and as a message in itself is taking down the barrier of putting a certain look to a certain thing, right?
I've got music in my head when I fight. I've got a certain rhythm, a certain way of fighting, a certain relaxation where I can let myself go.
You want to think about certain styles of music as being reflective of a certain culture or a certain time or a point of view. You don't want it to be just an intellectual exercise.
Once, somebody asked Robert Schumann to explain the meaning of a certain piece of music he had just played on the piano. What Robert Schumann did was sit back down at the piano and play the piece of music again.
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