A Quote by Laura Ingalls Wilder
Laura felt a warmth inside her. It was very small, but it was strong. It was steady, like a tiny light in the dark, and it burned very low but no winds could make it flicker because it would not give up.
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I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
I felt very maternal around eight months. And I thought I couldn't become any more until I saw the baby... But it happened during my labor because I had a very strong connection with my child. I felt like when I was having contractions, I envisioned my child pushing through a very heavy door. And I imagined this tiny infant doing all the work, so I couldn't think about my own pain... We were talking. I know it sounds crazy, but I felt a communication.
And for an instant he would remember Naples: sitting with Sasha in her tiny room; the jolt of surprise and delight he'd felt when the sun finally dropped into the center of her window and was captured inside her circle of wire. Now he turned to her, grinning. Her hair and face were aflame with orange light. "See," Sasha muttered, eyeing the sun. "It's mine.
It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn't feel like a giant. I felt very, very small.
There is a new way with very very tiny fiber optics, which give an enormous high resolution. There are many many thousand fibers, very very close together with a very small diameter.
I think about Laura Bush every once in awhile. She is a great supporter of the arts. I did a show at the Eisenhower Theater, and she would make a point of coming backstage. The relationship between Laura and George Bush was always that way where you felt like he was at his best behavior when he was in her company.
I believe in the possible. I believe, small though we are, insignificant though we may be, we can reach a full understanding of the universe. You were right when you said you felt small, looking up at all that up there. We are very, very small, but we are profoundly capable of very, very big things.
My father's passing comes with sorrow and grief for me, for my mother, for my brothers, and for my sisters. He was a great fire who burned bright, and we lived in his light and warmth for so very long.
I always felt different and it was because I was Middle Eastern. Where most people were very fair, light-skinned, and had blue eyes, I was hairy with dark hair and dark skin.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
Remember, a small light will do a great deal when it is in a very dark place. Put one little tallow in the middle of a large hall, and it will give a good deal of light.
I grabbed Aunt Prue's tiny hand, her fingers as small as bare twigs in winter. I closed my eyes and took her other hand, twisting my strong fingers together with her frail ones. I rested my forehead against our hands and closed my eyes. I imagined lifting my head up and seeing her smiling, the tape and tubes gone. I wondered if wishing was the same thing as praying. If hoping for something badly enough could make it happen.
I grew up on a tiny island called Guernsey, very small population, very isolated culturally but very beautiful and serene.
There have been screenwriters who I'm sure would gladly kill me, because I've been very fast and loose with their work, because I felt like it wasn't up to my high standards. I would push and pull it on set, and make changes all the time. But then when you're working with an original screenplay, my theater instincts kick in, and I suddenly become very keeper-of-the-words.
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