A Quote by Laura Innes

And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters. — © Laura Innes
And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.
When I made my first record, I was very naive, and I didn't know much about production, and I had a very basic amount of equipment, and I was just digging through vinyl for samples in a very old-fashioned way. It was very loop-based and very cut and paste, and that's the way I started out.
I'm from the South, so I'm very old-fashioned and I'm not very computer savvy at all, but I'm getting it. I understand that, if you've got information and you want it out there, that is how you go about doing it. I get it.
I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
Working in 3D I didn't experience much of a difference, except that the cameras are very big so they can't be moved around with as much ease. It was more like, when you've seen photos of cameras from the 1930s being moved around with these huge cranes. So there was something quite sort of old-fashioned about it almost.
It can be very frustrating and very deflating to be constantly defined and described by other people, so I've stopped reading anything written about me, and I find it much healthier. I just sort of concentrate on what I do and don't worry too much about that.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
There's so much of, it could have been a very critical examination of what happened, and really the emotional lives of the people involved sort of carry the characters forward.
I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don’t have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
All these people talk so eloquently about getting back to good old-fashioned values. Well, as an old poop I can remember back to when we had those old-fashioned values, and I say let's get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States - and to hell with the censors! Give me knowledge or give me death!
The thing about hoofing is that It's much more intricate than people realize. Occasionally you see some good hoofing on TV. Bob Hope is very good at the old slide steps. George Burns does a good, old-fashioned sand dance from Vaudeville!
I think one of the dirty little secrets that I try to reveal here is that Washington is not hopelessly divided. It's very interconnected. We're talking about people sort of feeding from the same insider trough, where if you are known as an insider, you are going to get paid and do very, very, very well.
One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.
I would have to say that in this sort of feminized atmosphere in which we exist today, guys who are masculine and muscular like that in their private conduct, kind of old fashion tough guys, run some risk.... This guy is very much an old fashioned masculine, muscular guy, and there are political risks associated with that. Maybe it shouldn’t be, but that’s how it is.
I'm a very private person, so obviously I don't enjoy talking about more personal matters. But at the same time I care very much about my work and I would like people to know that it exists. So I appreciate that there's a meeting point, where I would like people to know about the work that I'm doing, and that requires me to talk about it.
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