A Quote by Laura Jane Grace

The idea of Ryley Walker not ever listening to Leonard Cohen is like me going out to dinner and them telling me that they've never had spaghetti or whatever. — © Laura Jane Grace
The idea of Ryley Walker not ever listening to Leonard Cohen is like me going out to dinner and them telling me that they've never had spaghetti or whatever.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
When I was filming the Marilyn Monroe movie, I was listening to a lot of Leonard Cohen.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I feel like there's a voice in my head, always, telling me every idea is brilliant, and another telling me every idea is the worst. And they argue in my head until somebody wins, until I solicit an audience to be, like, 'Will you help me figure this out? Is this the best or the worst idea?' And they tell me!
For someone like me, who has grown up with Joni Mitchell and Bob Dylan and Leonard Cohen, it's hard not to invest a lot of myself in what I do.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
Leonard Cohen is probably the greatest lyricist for music that's ever lived, you know?
My music isn't Leonard Cohen. But people are going to smile when it comes on.
There's a guy in London named Ben Cohen who is doing great things. In a way, we need people like Ben - we need straight guys to come out and say, 'What're you worried about? Get over yourself.' That's what we need! Because no one's listening to us - certainly, no one is listening to me.
Leonard Cohen has a way with words and with humor that remind me to lighten up, which I appreciate very much.
My grandpa didn't believe in hugging and kissing, or saying I love you. His love had to do with the way he treated you. When he said, We're going here, we're going there, he was telling me about life. That was his love for me. My love for him was listening to what he said, keeping out of trouble, doing right, being fair.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.
Sometimes I feel like Leonard Cohen when he went off to become a Buddhist.
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