A Quote by Laura Jane Grace
Two Coffins' is a song I wrote for my daughter.
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"After 17" is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, "Oh yeah, he wrote that about his daughter," but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
'After 17' is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, 'Oh yeah, he wrote that about his daughter,' but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.
The song 'Baby Baby,' I so love that song because I wrote it about my first daughter.
We have this song called 'Radio,' and I wrote that song when we needed one more song for a record. So I went back into the other room and wrote it in 20 minutes.
Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.
My daughter is reading various Young Adult vampire stuff, and I ask her, "Is there even a bad vampire in the story?" There's always a good vampire now, but do any of them sleep in coffins? And I would bring her down to my library and say, "Here's every classic vampire literature. There are coffins, there's this, there's that," you know? "When you get to the YA stuff, you may try some of this stuff just to see where it came from."
I met a girl, and two months after we met I wrote 'Nevermind.' And 'Never Go Back' is actually a song I wrote two or three days after the breakup, after a year and a half. Straight continuation of the story.
'Carbs' is the first song I wrote, and 'I Wanna Boi' is the second song I wrote. I am very proud of every song I made since then. Anything I'm not proud of I wouldn't show people.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
I remember the first time I ever wrote down a song was when I was 6. I was at my friend Emma's house, and we wrote a song called 'Girls' Rules.'
Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
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