A Quote by Laura Linney

Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
When you're a working actor you see a lot of scripts all the time, but to get to do something that's really well written it's a rare privilege.
I want to aspire to something like what Denzel Washington does, which is try to find scripts written for white actors - or Jodie Foster, who reads scripts for male actors.
A lot of scripts are written with an eye on what will be popular or what will titillate or what this actor can do well. I don't think those kinds of scripts ever work.
A lot of actors, we aren't that special; you get a well-written scene, and it's virtually actor-proof.
Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television, or just written.
Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television - or just written.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
My dreams are the usual incoherent nonsense. Like most writers, at some point in my career I thought, well, I have these great dreams but I always forget them in the morning so I’ll leave a pad on my bedside table so I can write it down, and then you have some incredible dream and you write it down and the next morning you wake up and you’ve written ‘purple socks’.
I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.
If you work in the studio system in America, they've almost got to the point where a computer programme could write scripts. Effectively, they hire and fire enough writers until they get something generic.
With the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
'Groundhog Day' was one of the greatest scripts ever written. It didn't even get nominated for an Academy Award.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
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