A Quote by Laura Linney

I don't think I'm exactly gregarious, you know. I'm not usually known as the loud person in the room. — © Laura Linney
I don't think I'm exactly gregarious, you know. I'm not usually known as the loud person in the room.
I cover my shyness by being exactly the opposite. You know, really loud and very Italian. I am an extremely insecure and fragile person, and only the people that really know me know that. But I push myself.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
Some people get the wrong idea, you know. If you're quiet and you're just not the most gregarious person, that you're like.. I don't know, self-involved, rude possibly, frigid. I get that a lot from people who don't know me, like online all you guys think I never smile, ever. It's not true. I do smile sometimes.
Nothing cuts deeper than when another person says exactly what you're afraid to say out loud.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
Sir Alex is so consistent with his management. He manages each person differently, but you know exactly where you are with him. You know exactly what is required.
Earth does not understand her child, Who from the loud gregarious town Returns, depleted and defiled, To the still woods, to fling him down.
At the age of seventeen, I decided I would spend my life writing fiction. I didn't know what this entailed, exactly - a room, I supposed. A room and books and paper and solitude.
Sisters, as you know, also have a unique relationship. This is the person who has known you your entire life, who should love you and stand by you no matter what, and yet it's your sister who knows exactly where to drive the knife to hurt you the most.
I don't like to think of myself as just a person. I don't think I am. I think I existed before, and I think I'll exist again after I die here, so I don't exactly know what I am. I don't think there is ever going to be an answer. I just know that I'm not like you.
The way for a person to develop a style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that.
A lot of the time, I read something I've written, and I think, 'Well, that's competent. It's not exactly breaking any boundaries. It's not exactly transgressive. It's just a bunch of fake people in a room talking to each other. But maybe there's a value to that.'
I am quite loud and bolshie. I'm a big personality. I walk into a room, big and tall and loud.
I'm not, like, a gregarious guy. I don't walk into a room and want to engage people. I'm just not wired that way. One on one, I'm fine.
The person who is motivated by necessity is interested in what's known and what's secure. The person who is motivated by possibility is equally interested in what's not known. He wants to know what can evolve, what opportunities might develop.
I think screenwriters, I think editors in the cutting room - they have a lot of responsibility that we don't think about, but they could cut the coverage of an Asian person to focus on a white person because, unknowingly, they think that white person has more to say or is more interesting.
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