A Quote by Laura Lippman

I adore the work of Stephen Sondheim. I like musicales in general. They make surprisingly great running tapes. — © Laura Lippman
I adore the work of Stephen Sondheim. I like musicales in general. They make surprisingly great running tapes.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
I am writing better Stephen Sondheim songs than even Stephen Sondheim is writing.
It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.
I heard from Stephen Sondheim, who has become a great supporter of mine. There was no one bigger when I was growing up.
I saw "Follies" again at thirty, and you know, I had this great appreciation for [Stephen] Sondheim's brilliance, his lyrics.
Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find.
The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?
That's one of the beauties of James Lapine and Stephen Sondheim and their work together. They have such a depth to the emotional exploration of the story that they're telling, but there's always a release, and the release is a laugh.
Stephen Sondheim I am in awe of.
There is genuine healing in a beautifully crafted musical theatre song, like Stephen Sondheim's 'Losing My Mind,' or a pop music gem like Joni Mitchell's 'Help Me.'
I'm a devotee of Stephen Sondheim. I think he's a genius.
Stephen Sondheim is calculus for actors. The words are witty and brilliant and profound but complicated.
That's the only show where, if anyone says to me, 'Is there a role you want to play?', I say, yeah, I want to play Sweeney Todd. Stephen Sondheim's so clever; it's a profoundly brilliant piece of work.
No One Is Alone by Stephen Sondheim is all about thinking for yourself and being your own person.
I think Stephen Sondheim is a - and I hardly ever use this word - but this is as close as it gets to a genius.
As a person, Stephen Sondheim is a very funny, very dry and very shy man. I've never witnessed any diva-ish moments, he just always seems so thrilled people are doing his work.
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