A Quote by Laura Lippman

I begin each book with a challenge to myself. — © Laura Lippman
I begin each book with a challenge to myself.
The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn't work that way.
I try to create a challenge for myself in each book. And sometimes, believe me, I just kick myself afterwards, and say, 'Why on earth did you ever attempt this, you idiot!' But I'm always better for the experience.
Each new book is a tremendous challenge.
I got to a point where I thought, now I have a choice. I can stay in theatre, or I can challenge myself and give this a go. And I want to challenge myself. I like to scare myself.
For the warrior, every moment is a challenge to be genuine, and each challenge is delightful. When you let go properly, you can relax and enjoy the challenge.
I want to challenge myself with each project.
Each human being, however small or weak, has something to bring to humanity. As we start to really get to know others, as we begin to listen to each other's stories, things begin to change. We begin the movement from exclusion to inclusion, from fear to trust, from closedness to openness, from judgment and prejudice to forgiveness and understanding. It is a movement of the heart.
No matter how old I get, the race remains one of life's most rewarding experiences. My times become slower and slower, but the experience of the race is unchanged: each race a drama, each race a challenge, each race stretching me in one way or another, and each race telling me more about myself and others.
I use a computer, but before I begin each new book I keep a notebook. I write down everything that comes to mind during that period before I actually begin. It might take months or weeks. That notebook is my security blanket so that I never have to face a blank screen (or blank page). But I print out often and my best ideas usually come with a pencil in my hand.
For me, the favourite chapters have always been the last chapters in the books. I knew exactly how each book would end - and how the first chapter of the following book would begin. I knew I wanted to leave the readers with answers - and a bunch of new questions!
When we begin to see each other through what the metaphysician calls, the third eye, we begin to know each other on a level that is beyond what our physical eyes can see.
I think one of the hardest things about doing a book in the first person is that to a certain extent each day, when you begin to do your work, you're climbing into somebody else's skin.
'The Crimson Petal and the White' is a book, and it will win or lose the trust of each reader when they begin reading its pages. That relationship will go on.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
We’re all in the end-of-our-life book club, whether we acknowledge it or not; each book we read may well be the last, each conversation the final one.
Each time I write a book, every time I face that yellow pad, the challenge is so great. I have written eleven books, but each time I think, ‘Uh oh, they’re going to find out now. I’ve run a game on everybody and they’re going to find me out.
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