If you go through any newspaper or magazine and look for active, kicking verbs in the sentences, you will realize that this lack of well used verbs is the main trouble with modern English writing. Almost all nonfiction nowadays is written in a sort of pale, colorless sauce of passives and infinitives, motionless and flat as paper.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
Verbs allow you to communicate a story in a much more converged or involuntary way for a reader. The verbs allow you to come in under the radar, below people's defenses.
People are used to getting a lot of information quickly, and they're used to being quite empowered as consumers, and they go to governments expecting a similar treatment; they want to find data and they want to influence events quickly, and yet they come into this brick wall.
They've a temper, some of them - particularly verbs, they're the proudest - adjectives you can do anything with, but not verbs.
Write quickly and you will never write well; write well, and you will soon write quickly.
People often think that reporters write their own headlines. In fact, they almost never do. The people who do write headlines are the copy editors who are the front and last lines of quality-checking in a newspaper before it goes to print.
You have to look at the value of different kinds of words. Adjectives weaken, and adverbs come even farther down the line. Verbs are strong; verbs and nouns.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
We mostly spend [our] lives conjugating three verbs: to Want, to Have, and to Do... forgetting that none of these verbs have any ultimate significance, except so far as they are transcended by and included in , the fundamental verb, to Be.
No, you used nouns and verbs together in a pleasing but illogical format.
I don't write quickly or a lot. Well actually I write quickly, but I don't have a store of things. I will wait for that erotic moment - like the one which struck me when someone said "have you ever heard of Kester Berwick?"
We are not nouns, we are verbs. I am not a thing - an actor, a writer - I am a person who does things - I write, I act - and I never know what I'm going to do next. I think you can be imprisoned if you think of yourself as a noun.
Human relations are like the irregular verbs in a number of languages where nearly all verbs are irregular.
When we used to walk to school, I used to read off the walls, graffiti and stuff, everything. I used to write stories, but I'd never finish them. I wrote poems.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.