A Quote by Laura Loomer

I will always treasure the nearly 3 years I spent working for James O'Keefe as an undercover journalist at Project Veritas. — © Laura Loomer
I will always treasure the nearly 3 years I spent working for James O'Keefe as an undercover journalist at Project Veritas.
James O'Keefe is a journalist, doing the work 'real' journalists don't dare, and has been conducting undercover investigations for years with dozens of scalps collected along the way. The more the 'true' journalists who back the Democrat machine attack him, the more emboldened he becomes to pursue his next project.
If I wasn't a writer/director, I would be an investigative journalist. There's something about being an undercover journalist. I mean, that's freakin' cool!
I consider myself to be a guerrilla journalist. Some would call me a provocateur, but I am a journalist who uses ambush and undercover tactics to uncover the truth and expose people for who they truly are.
I am always going to be working on location, even if I have a 20-year career. Talk to me in 15 years and I will still be working on location. It's something I can always do better. Right now, it's not nearly where it could be, so it gives me something to work on every day.
I spent close to a decade as an undercover officer in the CIA and have spent most of my adult life collecting intelligence and protecting sources and methods.
Andrew Warren was a rarity in the CIA's Clandestine Service - African-American, fluent in Arabic, and relatively young for an agent who'd already spent nearly a decade chasing terrorists in Afghanistan, Egypt, Iraq and Algeria, so deep undercover that few of his friends or family knew the nature of his work.
I always think that the project I'm working on will be the best.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
I think the hardest stories we tell are always the ones about ourselves. And as a journalist, I was taught that I'm never supposed to put myself in the story. So I spent what, 11, 12 years of my life writing about other people so I don't have to face my own life.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
As a journalist, I have spent years reporting on often difficult and depressing conflicts, on poverty, and the inhuman way we sometimes treat each other.
I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
This project started nearly twenty years ago as an assignment in my typography class at art school. Students were encouraged to see letters beyond their dull, practical functionality. We played with their unique shapes and tinkered with their infinite possibilities. The challenge was hard, so the reward of “cracking” a word felt great. This became a lifelong project for me.
I spent seven years of my life in the immediate aftermath of September 11th doing this work, working with the Patriot Act, working with our law enforcement, working with the surveillance community to make sure that we keep America safe.
But in the years since the neoliberal project really has been stripped down to what was always its essence: not an economic project at all, but a political project, designed to devastate the imagination, and willing - with it's cumbersome securitization and insane military projects - to destroy the capitalist order itself if that's what it took to make it seem inevitable.
During the summer of 1963 between my junior and senior years, I began a research project on hypothermia in the Department of Surgery with Sidney Wolfson. I quickly became fascinated by the project and continued working on it throughout my senior year.
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