A Quote by Laura Marling
I feel sometimes that I'm in a constant state of being lost in translation, and I guess that why I write songs.
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Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I guess what people forget sometimes is that when I write songs, I write them sometimes in about 20 minutes.
Everybody feels up sometimes, they feel down sometimes, sometimes they feel sideways, sometimes they feel weird. And the beauty of music is you can express all those different feelings in all the different songs you write. And hopefully, people can identify with those.
If you don't have to write songs, why write them? I've got enough where I don't really feel the urge to write anything additional.
I simply write what I want, wish, long to write.... The state of human life and the god or demon within. The constant internal war that being alive can conjure.
The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
The thing that has always baffled me about people's perception of my writing is the sense that I'm a very controversial, opinionated, polarizing person. I feel like I write about things that I'm interested in, and I describe why they're interesting to me. I could be negative, I guess. It's far easier to write why something is terrible than why it's good.
I don't speak any languages well enough to make an expert assessment on writing in translation, but since I'm interested in awkwardness in prose, I find I like the way translated texts can sometimes acquire awkwardness in the process of translation. There's a discordance translation can create which I think is sometimes seen as a weakness but which I think can be a really interesting aspect of the text.
Who decides what is and what isn't punk? I want to write songs that people hear and feel, and I want to be successful and reach a big audience. I'm not trying to be the coolest guy in the world; I'm trying to write songs that mean something to people. As you get successful, sometimes you lose one set of fans and gain another.
For the version of this CD released in Japan, a translation of the English lyrics is included, but there are lots of places where meanings are lost in the process of translation.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
I always just try to write the best songs that I can at any given time, and sometimes those songs are for me, and sometimes they're for other people. And that's to be evaluated after the fact.
Innocence is always the state of being untouched. Sometimes it's synonymous with virginity, so sometimes it's quite literal, but sometimes it's more of a mental state of being untouched, of not having seen a lot of the world.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
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