A Quote by Laura Miller

For while agents and editors often misunderstand their market and sometimes reject good or even great works, they do prevent a vast quantity of truly execrable writing from being published.
I've heard a lot of editors and agents say, "If the book is good, it will get published." I totally disagree with that.
A whole bunch of agents and editors looked at my stories, and they all said, in effect, 'You're a pretty good writer and you should probably get these published; when you grow up and write a novel, get in touch.'
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
Write. Remember, people may keep you (or me) from being a published author but no one can stop you from being a writer. All you have to do is write. And keep writing. While you’re working at a career, while you’re raising children, while you’re trout fishing--keep writing! No one can stop you but you.
Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'
Writing is an expression of the writer's own peculiar personality, could not help being so. Yet in reading great works one feels that the finished piece transcends the personal. All writers great and small must sometimes have felt that they have become part of what they wrote even more than it still remains a part of them.
The way British publishing works is that you go from not being published no matter how good you are, to being published no matter how bad you are.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
At every writers' conference, you have the opportunity to hear from best-selling authors, top literary agents, and excellent editors who will demystify the publishing industry and give you great advice, no matter where you are in your writing career or what you're currently struggling with.
Does advertising corrupt editors? Yes it does, but fewer editors than you may suppose... the vast majority of editors are incorruptible.
My agent had warned that, while a fine film would do my profile a world of good, a bad one wouldn't help me at all, and I suspected she was soft-pedalling the latter possibility. The effect of a truly execrable adaptation is worse than neutral. The stink rubs off.
Favored stocks underperform the market, while out-of-favor companies outperform the market, but the reappraisal often happens slowly, even glacially.
I often use humor as a tool in my writing, and sometimes that works and sometimes it sits alone just as a funny line.
The most important thing for people to get is we're not even looking at one big investigation, all these agents working together. They were chopped up and divided, but because I worked in the central place... other agents were sending their material to me... I was in this position to see all the dots being connected... These agents, while I was there, because I was the central person, they started connecting the dots.
Authors of published papers and editors of scientific journals can, unfortunately, be slow to come to terms with criticism, and it's good that we can use blogs to express specific criticisms of published articles and to use social media to disseminate these criticisms.
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