A Quote by Laura Mullen
Miss Havisham is an important feminine literary figure in the tradition of Antigone (though it's significant that Antigone is fighting to bury something and Miss Havisham refuses, as it were, to bury the corpse). Like Hamlet, she's focused on what everyone would rather not know or would like to forget, and she seems crazy / stuck as well as bitter, but she's also a perfect prototype of a performance artist. She's intentionally hard to deal with inviting the audience to remain with the violated body, the evidence of violence.
Quote Topics
Also
Antigone
Artist
Audience
Bitter
Body
Bury
Corpse
Crazy
Deal
Everyone
Evidence
Feminine
Fighting
Figure
Focused
Forget
Hamlet
Hard
Havisham
Important
Intentionally
Inviting
Know
Like
Literary
Miss
Miss Havisham
Perfect
Performance
Performance Art
Prototype
Rather
Refuses
Remain
Seems
She
Significant
Something
Stuck
Though
Tradition
Violated
Violence
Well
Were
Would
Quote Author
Related Quotes
Miss Havisham is a glitch in the smooth functioning of the Patriarchy, enforcing awareness of a moment of social disaster and personal shame, something it seems she would want us to forget (but no one would forget). (Maybe an interesting "discussion question" for readers of Complicated Grief might be, "What do Terry Barton and Miss Havisham have in common?"?)
It would have been cruel in Miss Havisham, horribly cruel, to practise on the susceptibility of a poor boy, and to torture me through all these years with a vain hope and an idle pursuit, if she had reflected on the gravity of what she did. But I think she did not. I think that in the endurance of her own trial, she forgot mine, Estella.
The problem with Antigone is that she stood up to the despot Creon, but in such a way that she ended up dying. So she bought her defiance with her death. The real question I ended up asking was, "What would it mean for Antigone to have stood up to Creon and lived?" And the only way she could have lived is if she had had a serious social movement with her. If she arrived with a social movement to take down the despot, maybe it would have taken 18 days only, like in Egypt. It's really important to be able to re-situate one's rage and destitution in the context of a social movement.
Amy Sedaris [in the Ghost Team] plays a Miss Cleo-esque character - Miss Cleo just died, so that's kind of timely - but she plays a Miss Cleo-esque TV psychic who's also kind of a bullshit artist. One of the most triumphant character turns in the movie is when she realizes that even though she's a bullshit artist, she does have something to offer. She helps save the day at the end of the movie.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
She wasn't the only one to be physically morphed by reader expectation. Miss Havisham was now elderly whether she liked it or not, and Sherlock Holmes wore a deerstalker and smoked a ridiculously large pipe. The problem wasn't just confined to the classics. Harry Potter was seriously pissed off that he'd have to spend the rest of life looking like Daniel Radcliffe.
When she walks she walks with passion when she talks, she talks like she can handle it when she asks for something, boy she means it she know you would do [anything] to keep her by your side she'll make you work hard make you spend hard make you want all, all of her she'll make you fall real fast [in love].
Sovereign of beauty, like the spray she grows;Compass'd she is with thorns and canker'd bower.Yet, were she willing to be pluck'd and worn,She would be gather'd, though she grew on thorn.
Patti [ Scialfa] was an artist and a musician and she was a songwriter. And she was a lot like me in that she was transient also. She worked busking on the streets in New York. She waitressed. She had - she just lived a life - she lived a musician's life. She lived an artist's life. So we were both people who were very uncomfortable in a domestic setting, getting together and trying to build one and seeing if our particularly strange jigsaw puzzle pieces were going to fit together in a way that was going to create something different for the two of us. And it did.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
Lynda Carter, I think the reason I liked her was because she was so down to earth. Even though she was a big star and she was Miss America, she was very approachable.
One of the things I most wanted to do in New York was to go to a performance by Martha Graham. For me, she's Miss Mattie T. Graham. I thought she needed something in the middle. If she's going to be an honorary Southerner, she's got to have something in the middle, so I just put an initial T and a period.
She knew she was lovely, and she shared it like a gift. Every smile from Agatha was like waking up to a perfect sunny day. Agatha knew it. And she smiled at everyone who crossed her path, as if it were the most generous thing she could offer.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
He's very nice. He's something I replied. She considered this zipping her purse shut. Then she said Well everyone is. Everyone is Something. For some reason that stuck with me simple and yet not every since she'd said it. It was like a puzzle as well two vague words with one clear one between them.
Related Authors
Alexander Pope Quotes
English
Poet
Emily Dickinson Quotes
American
Poet
George Herbert Quotes
British
Poet
Henry Wadsworth Longfellow Quotes
American
Poet
Homer Quotes
Greek
Poet
Horace Quotes
Roman
Poet
John Milton Quotes
English
Poet
Khalil Gibran Quotes
Lebanese
Poet
Lord Byron Quotes
British
Poet
Maya Angelou Quotes
American
Poet
Oscar Wilde Quotes
Irish
Poet
Ovid Quotes
Roman
Poet
T. S. Eliot Quotes
American
Poet
Walt Whitman Quotes
American
Poet
William Butler Yeats Quotes
Irish
Poet