A Quote by Laura Mullen
The most important aspect of writing the pieces that make up this eighth book was yielding to my obsessive side, letting my own "complicated grief" in on the process. You can imagine how tempting it is to try to fight the part of you that loops and loops, caught up in tangled sorrow from which it seems there's no escape.
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Knitting is formed by a series of loops pulled through loops to the end of time or to 'desired length'. By picking up loops and working in the opposite direction you are really picking up the concavities between the loops, and it is sheer unexpected witchcraft that stocking stitch and garter stitch will permit such an anomaly. Be grateful for this and don't expect anymore.
People think unless you have loops and electronics and so on, you must be in your 50s. I quite like a lot of things that have loops and sequencers, but I couldn't really be bothered.
In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.
I discovered that the most interesting music of all was made by simply lining the loops in unison, and letting them slowly shift out of phase with other.
I saw grief drinking a cup of sorrow and called out, 'It tastes sweet, does it not?' 'You've caught me,' grief answered, 'and you've ruined my business. How can I sell sorrow, when you know it's a blessing?
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
How circumstantial reality is! Facts are like individual letters, with their spikes and loops and thorns, that make up words: eventually they hurt our eyes, and we long to take a bath, to rake the lawn, to look at the sea.
The 'Hey Monday' songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
Marital partners often trigger in each other resourceless states—negative trance-like experiences in which partners feel devoid of satisfactory solutions. Carol Kershaw maps these interactional loops and provides Ericksonian strategies to help couples make their marriage entrancing. Therapists of all persuasions are sure to benefit from this important book.
In re-reading 'Presumed Innocent,' the one thing that struck me - and I re-read the book four different times in writing 'Innocent,' interested in different things each time - but I did think there were a couple of extra loops in the plot that I probably didn't need. The other thing that sort of amazed me was how discursive the book was.
He pulled himself out of hard times, dealt with the scars from it, pushed himself to make a mark. A little bit of the wild side there, always. I told myself, oh no, I won't get tangled up with this one. And I said it again, even when I was tangled up.
We resurrect 'Mezzanine' with a promise that we can break free from the data of the past and escape the feedback loops.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
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