A Quote by Laura Mullen
The boundary between expert and amateur was an imposed social-cultural "protection" which actually exposed a number of women to a fatal disease, because decaying matter, as the fireman said of fire (cited in the book's final piece, "Torch Song") "ain't got no rules on it."
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It seems all "protection" has to be monitored, considered, weighed and justified - I am suggesting we do that (but it's something Mary Shelley (and Gertrude Stein) also suggest). "Torch Song," the book's final section, looks at an arson committed by someone hired to protect the wilderness from fires, a catastrophic failure of protection!
You know, I'm no different from a fireman. You got to run into a fire no matter how big the blaze is.
When I was exposed to the history and the cultural background of why women whose husbands die, why they have to become ascetic or live a life that is completely deprived of emotional or social or cultural sustenance, I was really shocked.
I have been putting words like 'abnormal' and 'deviant' in quotes because those categorizations are under fire now, the boundary between normal and abnormal as questionable now as are all the other boundaries that once defined social reality.
The Go Red for Women campaign raises awareness of the risk of heart disease. I think a lot of people don't realize that heart disease is the number one killer of women. So what we're doing is encouraging women to tell five other women to learn more about heart disease and how they can prevent it.
There was really only one person who - and I remember to this day - he was a fireman, and he said, "You'll never know what you'll do when you're in a fire." Everyone else was like: "I don't care; I would have saved my children; I could have done it. Even if I was asleep I would have woken up and saved my children." But the fireman said, "You never know what's going to happen unless you're in there."
For most of us the rules of English grammar are at best a dimly remembered thing. But even for those who make the rules, grammatical correctitude sometimes proves easier to urge than to achieve. Among the errors cited in this book are a number committed by some of the leading authorities of this century. If men such as Fowler and Bernstein and Quirk and Howard cannot always get their English right, is it reasonable to expect the rest of us to?
How do women still go out with guys, when you consider the fact that there is no greater threat to women than men? We're the number one threat to women. Globally and historically, we're the number one cause of injury and mayhem to women... You know what our number one threat is? Heart disease.
There’s so much distance between the fundamental rules and the final phenomenon, that it’s almost unbelievable that the final variety of phenomenon can come from such a steady operation of such simple rules.
We labor under the fatal delusion that no disease can be cured without medicine. This has been responsible for more mischief to mankind than any other evil. ...Disease increases in proportion to the increase to the number of doctors in a place.
Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.
France is a republic, and the rules in theory have been made by everyone rather than imposed by a dictatorship or king or whatever. So it's like, we've got to stick to these rules because we made them.
There is no time and space in the digital world. People chat and collaborate through social networks. Cultural icons garner millions of fans online in locations they have often never been themselves. The boundary between public and private life is now everyone's business.
We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.
The unwritten rules of behaviour are infinite in number, finely shaded, and subtle to the last fraction of a degree. They are not to be broken. If broken, the rules of forgiveness leading to re-establishment are equally of air and iron. I learn these rules with rather less ease than my contemporaries because, in the back streets of my being, a duel is developing and increasing in fervour between my instinct which knows why something is so, and my hen-pecking intelligence which wishes to analyse why something is so.
Yet soil is miraculous. It is where the dead are brought back to life. Here, in the thin earthy boundary between inanimate rock and the planet's green carpet, lifeless minerals are weathered from stones or decomposed from organic debris. Plants and microscopic animals eat these dead particles and recast them as living matter. In the soil, matter recrosses the boundary between living and dead; and, as we have seen, boundaries-edges-are where the most interesting and important events occur.
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