A Quote by Laura Mvula
I always said when I was younger, I wanted to write film music, and I think that's what my ultimate dream is.
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I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I knew that I wanted to be a singer/songwriter when I was much younger and, um, I've been able to, you know, to realize that dream and I'm very pleased with that...I want to branch out. I want to write. I write poetry...Music is an extraordinary vehicle for expressing emotion-very powerful emotions.
I always wanted to go into film. I love film. I loved growing up in the theatre, but I always wanted to do film all along. But, I still pursue music separately.
My dream that I followed and that I'm living now is that I actually always wanted to go to music college, play in a band, do a world tour, and then eventually get into film music.
I've always been a film lover - that's why I've always wanted to write music for films.
I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
Eventually I would like to reach the stage where I don't have to write about love and kisses and all that stuff. I wish I could write about really ultimate things. That's where I think all of us want to go, really. All the groups seem to be heading towards a kind of pop music that deals with ultimate things.
I had always wanted to pursue music. It was always a dream, but it was always a dream in the sense of, when you're young, 'I want to be president' or 'I want to be an astronaut and fly to Mars.' That's what it was to me.
All these interviews I'm doing - this is the kind of stuff that I was dreaming about doing when I was younger. I was praying for people to want to write about me. I wanted people to hear my music. I wanted to perform. I wanted to be on billboards.
It has been my dream to feature on Billboard's list, as I always wanted to make music for India that will make to that list. I have always wanted to take Indian music to an international platform someday, even if it is on number 100.
My teachers always said, "You're very talented, but don't set your heart on art. You're only a girl." I was inspired by Virginia Woolf in 1960, but they wouldn't let me write about her. They said she was a trivializer. I also wanted to do a paper on Simone de Beauvoir, and my philosophy teacher said, "Why would you write about the mistress? Write about the master." That was Sartre.
When I was a little girl and people would ask me what I wanted to be when I got older, I always used to say I want to be paid to think. So for me, to dream, to think, to write - it is wonderful.
Sometimes when I get asked by younger wrestlers, 'Do you have any advice for me? What do you think you can help me on?' and I tell them I think the best advice is to try and outdo yourself. Always be unique, always be creative. I think that was part of my success. I never wanted anybody to be on top of me. I always wanted to be number one.
When you think of sexual liberation, which women wanted to have or not have children, which is the choice, not a command, and other kinds of things they wanted in their relationships with their husbands, or partners or what have you, became for subsequent generations some license that they themselves feel, that is absolutely demeaning and mean younger and younger and younger.
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