A Quote by Laura Mvula
I come from an African Caribbean background. I've been influenced by a reggae church music style, contemporary gospel, and rock all fused together.
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I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
I see dancehall reggae and hip-hop as fused together, When I was a kid, they were the two kinds of music that spoke to me and said 'Move!
I see dancehall reggae and hip-hop as fused together, When I was a kid, they were the two kinds of music that spoke to me and said 'Move!'
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
The really cool thing about reggae music is that I can get away with saying spiritual things as a reggae influenced artist that I couldn't get away with saying as a rock artist. Reggae has such spiritual roots and people almost expect to hear spiritual things.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
My dad hates reggae. He's from St. Kitts, which is a really British island, with Victorian values. He doesn't have a strong Caribbean accent. He didn't play Caribbean music in the house. He was really into soul music, collecting soul 45s.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
You’re that lady,” Leo said. “The one who was named after Caribbean music.” Her eyes glinted murderously. “Caribbean music.” “Yeah. Reggae?” Leo shook his head. “Merengue? Hold on, I’ll get it.” He snapped his fingers. “Calypso!
I was always drawn to gospel music and the roots of African-American music. It's the foundation of rock and roll.
And different traditions stress different - so then there's that. I talked to an African American who says before she goes into an interracial church, she sits in her car and she listens to gospel music to get her fill, and she goes into an interracial church where they don't do gospel music, and she's ready to accept the other sorts of ways of worshipping. So there's that.
I enjoy listening to contemporary rock on the college stations while I'm taking long walks, love gospel and soul music, am fascinated by hip-hop and rap as the new kind of urban 'beat' poetry and, come to think of it, find something interesting about just any kind of music.
Commercial rock 'n' roll music is a brutalization of the stream of contemporary Negro church music an obscene looting of a cultural expression.
I have been influenced by the greatest artists in jazz, pop, reggae, traditional, ballards, pop, and all types of music, taking the best from each to represent my own personality. Whitney Houston, George Michaels, Sade, Phil Collins, and many others have influenced me.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
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