A Quote by Laura Osnes
I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
I still absolutely love 'The Sound of Music' and anything with Julie Andrews in it.
That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.
I wasn't thrilled about 'The Sound Of Music' - not the movie itself but my role in it. Captain Von Trapp was a bore, and they tried to help by giving it a bit more cynicism, but it wasn't my favourite role. I enjoyed the music, and I loved Julie Andrews.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
One of my favorites is 'The Sound of Music'. When Julie Andrews runs through the hills singing her head off, I always wish that a gust of wind would blow her skirt up.
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
The beauty of a Stradivarius is that you can play in Carnegie Hall without any amplification, and it has this - the sound has, inside it, has something that projects, and it has multifaceted sound, something that kind of gets lost when you use amplification anyway.
We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
I love Katharine Hepburn. I love Liesl in 'The Sound of Music.' I love Julie Andrews. I love Audrey Hepburn.
I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
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