A Quote by Laura Prepon
On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week because you get to see all these different personalities and see what you like dealing with better, as an actor. But, Jodie was amazing.
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On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week, because you get to see all these different personalities and see what you like dealing with better, as an actor.
Broadway's a lot of work, don't get me wrong. It's eight shows a week. You hardly ever see the sunset. I remember when I left, I was like, 'Oh! The sun's setting! I haven't seen that in a year!' Singing eight shows a week is hard.
I'd love to see the rushes but it's just not allowed because directors and also a lot of actors feel that if they see their work, and the director likes what they're doing, the actor might try to correct their mistakes.
I would love to see more swings in areas that we haven't explored. I can't necessarily tell you what that is - I think you know it when you see it - but I think we've had a lot of the same-themed shows in broadcast, but those shows are still performing.
If you watch the award shows, you'll see variations of the hammer pants. It's always cool to see that and then every now and then, you'll see an artist who's pushing the envelope and it may not be all the way there but you can see where it's coming from. I'm always appreciative of seeing my influence.
The point is that you see candidates running in these different kinds of contests. A primary shows you something that's different from a state party convention, which shows you something that is different than what a caucus shows you.
I've been on shows that are very comedic and happy, and you really only get to see one side of my personality. They're not shows about my life or my music, or my struggle or anything like that. They're shows where you pretty much see me laughing and smiling all the time.
Indeed, the actor's lot is a much harder one than that of the director's, from one simple standpoint: The actor has to play the eight shows a week.
I've had it for about 13 years, and I don't see any reason to change, I find that the violin just keeps responding really well. It changes itself every year; it ages, it goes through all these different environmental changes, and of course, the travelling...It develops on its own, just as any performer does. It's a very stable instrument, so I can rely on it, but at the same time it always shows me a different side of things than I expect.
Earlier, we had shows like 'Hasratein' and 'Shanti,' which had great storylines and mature content. Now, with a hundred shows running five to seven days a week, the TV industry has become very torturous and taxing for the actors.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.
Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.
Dealing with Jazz at Lincoln Center and its board of directors, who are so great, and then seeing how these Rock Hall guys operate, it's like: 'Really?' It seems like they're total amateurs when it comes to doing shows and contracts.
Directors, like actors, get typecast. And because I've had great success with comedy and horror and TV shows, that's basically what I'm kind of offered.
I'm a mirror. If you're cool with me, I'm cool with you, and the exchange starts. What you see is what you reflect. If you don't like what you see, then you've done something. If I'm standoffish, that's because you are.
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