A Quote by Laura van den Berg
I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.'
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I like a lot of Spanish language writers. I really love Javier Marias.
I often say that Bernhard, W.G. Sebald, and Javier Marías are my stylistic holy trinity, prose writers who amaze me with their notation of consciousness and voice.
A Heart So White is simply one of the best novels I know. I'm also thrilled by Javier Marías sentences, by how elegant they are while also being so permissive in relation to the niceties of grammar and so open to the prospect of surprise. He's a genius.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
Drualt took Freya's warm hand, Her strong hand, Her sword hand, And pressed it to his lips, Pressed it to his heart. Come with me,' he said. Come with me to battle, My love. Tarry at my side. Stay with me When battle is done. Tarry at my side. Laugh with me, And walk with me The long, long way. Tarry with me, My love, at my side.
I've had an amazing run in my career. It could end tomorrow. I have artists who love me, and I love them, but they could call me tomorrow and say, 'I don't wanna work with you.'
Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.
I'd like to know that your love
Is love I can be sure of,
So tell me now and I won't ask again,
Will you still love me tomorrow?
Even if I overcompensate, nobody will ever want me. Not Seth. Not my folks. You can’t kiss someone who has no lips. Oh, love me, love me, love me, love me, love me, love me, love me, love me, love me. I’ll be anybody you want me to be
I love Richard Yates, his work, and the novel, Revolutionary Road. It's a devastating novel.
Yet the timeless in you is aware of life's timelessness, And knows that yesterday is but today's memory and tomorrow is today's dream. And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space. Who among you does not feel that his power to love is boundless? And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds? And is not time even as love is, undivided and paceless?
Love me, love me, love me, love me, love me, love me, love me, I'll be anybody you want me to be. Use me. Change me. I can be thin with big breasts and big hair. Take me apart. Make me into anything, but just love me.
Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.
I love you. I love you. I send this message through my fingers and into his, up his arm and into his heart. Hear me. I love you. And I'm sorry to leave you.
I write about love, but it's me wanting to be in love. I've never been in love. I love my mom, my dad. I want to be in love. I think I have to allow myself to get there. I'm just so in love with music. It's weird. I'm at a crossroads because I want to be in love.
Maharaj-ji, in my first darshan, my first meeting with him, showed me his powers. At that point I was impressed with the power. But subsequently, I realized that it was really his love that pulled me in. His love is unconditional love.
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