A Quote by Laura van den Berg
In the novels I most admire, there is this sense that, within the confines of the world, the possibilities are always opening in new and surprising ways - that was a quality I strived to capture, with the hope that the reader would be willing to follow me.
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I do insist on making what I hope is sense so there's always a coherent narrative or argument that the reader can follow.
The joy of great fiction is that it transports the reader to another world, where new characters live in otherwise unimaginable ways. It is one of the most powerful ways of generating empathy that I know.
Follow me, reader! Who told you that there is no true, faithful, eternal love in this world! May the liar's vile tongue be cut out! Follow me, my reader, and me alone, and I will show you such a love!
Right from the beginning, I always strived to capture everything I saw as completely as possible.
I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to keep going.
It had come to me not in a sudden epiphany but with a gradual sureness, a sense of meaning like a sense of place. When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for you when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one of the best ways of exploring the mind, and walking travels both terrains.
I'm my own "ideal reader" in the sense that I write novels that I would want to read.
About writing I learned that always, always, always it's necessary to haunt your settings. I'm a big researcher. All my fiction is based on tons of digging. But the vital importance of actually traveling to the settings of a novel really hit me. And it's not just the setting details, not just the visuals and other sensory data, that will pop. You'll find surprising clues that swerve your story in whole new, deeper, surprising, more organic ways.
Most novels put out by small or corporate presses don't really sell that well - usually a thousand copies or so. Working with a small press, you have to be willing to book reading tours, plan events, make contacts with other small press authors, and find new ways of getting word about your new work out there.
I hope people will like my novels after I'm dead. And I hope my children think about me in good ways, by and large.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
Every reader of your ad is interested, else he would not be a reader. You are dealing with someone willing to listen. Then do your level best. That reader, if you lose him now, May never again be a reader
At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.
I think that the marketplace has changed in many dramatic ways but actually in some sense it's remained the same because the challenge of creating quality programming is the same, and I've always thought that if you follow the great material everything else will fall in to place.
Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.
Most people spend their entire life imprisoned within the confines of their own thoughts. They never go beyond a narrow, mind-made, personalized sense of self that is conditioned by the past.
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