A Quote by Laura Wade
I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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Both my parents came with their parents during the revolution in Cuba. Both my parents were born in Cuba. They left everything over there. My family got stripped of everything - of their land, of their jobs, everything.
It's really a testament to my parents, because I was active, curious and creative as a child, and my parents nurtured that. But I wouldn't say that I was a professional child actor at all. I was never the breadwinner of my family.
I was always a performer kid - like, annoyingly so. I would put on shows for my family and direct my friends in little plays, and my little sister, I'd make up dances with her. But when I was 12, that was when I started taking it seriously, and my mom for some reason believed in me and helped me find an agent in Cleveland, which did nothing for me.
Both my parents are creative. My dad did act when he was younger, but they're both very creative.
Wouldn't life be easier for both parents and infants if parents would observe, relax and enjoy what their child is doing, rather than keep teaching what the child is not yet capable of?
I was an only child, and I spent a lot of time alone. My dad was an only child, too, so we didn't have a big family, and I was really close with both of my parents. Like any kid, I thought I knew more than they did.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
There are some parents who always have their daughter's hair whipped. Mine wasn't always like that, but I appreciate that both my parents were into me having natural hair, so they did find Anota Scott, who I was going to for my cornrows and wrapping last year and a couple years before that.
Here's the thing: the unit of reverence in Europe is the family, which is why a child born today of unmarried parents in Sweden has a better chance of growing up in a house with both of his parents than a child born to a married couple in America. Here we revere the couple, there they revere the family.
My parents are very modern. My father is a cosmopolitan person. He always supported the fact that I will
be an actress. There is nothing else I would do rather than being an actor. I am passionate about acting.
Girls in our family are not allowed to act is quite an outdated thought to have. They did it till my mother
but now no more.
There is nothing that compares to the bonding between parent and child in that first year of life. Study after study shows how both parents being involved in the early weeks and months of a child's life is good for the child's development.
I'm a middle child, so I have middle-child syndrome. With a middle child, you always have to take in everything and adjust and maybe compromise a little bit so you're able to see both sides of an issue. I'm also a Leo - I love astrology - so that affected me, just being a lion.
I did a lot of acting when I was a child. I was very shy - the kind of kid who ran into a corner and cried on parents' visiting day.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
I always was a performer, from the time I was little. It was always a natural place for me to be.
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