A Quote by Laura Z. Hobson

I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more. — © Laura Z. Hobson
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
Reread, rewrite, reread, rewrite. If it still doesn't work, throw it away. It's a nice feeling, and you don't want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.
You can't rewrite nothing, but you can rewrite 90 pages of sh*t. Now you've got your sh*t on the page, you can go work.
I write and rewrite and rewrite and write and like to turn in what I think is finished work.
Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away.
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
That's where the inspiration was and so the more that you rewrite and the more you rewrite and the more the numbnuts are coming in to give you notes then the more problems you run into and the more it suddenly doesn't seem like the movie, the story, the characters changed, watered down and we don't have that with this.
In the TV business, you've got to write fast, and someone will tell you, 'Can you rewrite this episode before... 6 P.M.?' So that's when you rewrite it. You can't wait for the muse to show up.
In the TV business, you've got to write fast, and someone will tell you, "Can you rewrite this episode before... 6 p.m.?" So that's when you rewrite it. You can't wait for the muse to show up.
I try and get it right the first time. I may rewrite a sentence four or five times, but I rarely go back and kill a whole page and rewrite it.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
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