A Quote by Laurel Nakadate
Heartbreak is when you're just far enough away from what you desire that you can feel it. Change is the Pangaea moment. I feel like I'm at this point in my life where I have created this place, this island in the ocean, and I'm happy there.
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I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
I'm always happy when I'm surrounded by water, I think I'm a Mermaid or I was a mermaid. The ocean makes me feel really small and it makes me put my whole life into perspective… it humbles you and makes you feel almost like you’ve been baptized. I feel born again when I get out of the ocean.
As far as the lyrics go, I think I was negotiating a moment in my life where I didn't feel happy. I think I had some existential frustration and I was wrestling with that on a few different levels. I was feeling like I wanted to change a lot of things.
My main goal in life is to be happy. If I can make other people happy by doing what I love, then I feel like I've done everything in life that I've wanted. I just want to make people feel good and change people's lives with music, and that's it.
At this point in time the war [ WWII] is close enough to still feel hotly personal to a writer, yet far enough away so that jingoism and heroics are no longer required.
Obviously, this isn't the time in my life that I would have chosen to do this, but I feel like life gives you these challenges for a reason. I feel so happy and glad to be in the place that I am. I really feel blessed. This is something I need to face and take control of.
So many people feel that they have to wait for certain experiences in order to feel the emotions they desire. For instance, they don't give themselves permission to feel loved or happy or confident unless a particular set of expectations is met. I'm here to tell you that you can feel any way you choose at any moment in time.
I'm not sure whether Los Angeles borders on the ocean or on oblivion. I always feel that I'm two steps away from the other side when I'm out there. It's more like a vacation place or a place to visit than a place to hunker down.
When you feel like a musician you listen to is like you, then they don't feel so far away, and whatever you want to get to isn't so far away.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
Architects typically inherit programmes or sites. We maybe twist the programme a little bit, bring our own invention into it, and we feel perfectly happy when we walk away. It doesn't feel like quite enough.
We don't go to the ocean for anything as simple as happiness, do we? We go there to feel alive. Like life, the ocean holds chance and change, grief and terror and beauty. It promises mortality, not peace.
I’ve had that kind of experience myself: I’m looking at a map and I see someplace that makes me think, ‘I absolutely have to go to this place, no matter what’. And most of the time, for some reason, the place is far away and hard to get to. I feel this overwhelming desire to know what kind of scenery the place has, or what people are doing there. It’s like measles - you can’t show other people exactly where the passion comes from. It’s curiosity in the purest sense. An inexplicable inspiration.
The lifetime we've left behind with strangers Promises and lies both have their dangers. I just can't be wrong enough and I can't hide for long enough So far away, but I still feel your pain.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I feel really happy like with 'Derry Girls,' I feel happy to be part of something that young people are like, that is dysfunctional and you feel awkward in relationships and you try to find someone that makes you feel comfortable.
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