A Quote by Laurel Nakadate
Every time I hear that somebody died I think of their body, on a steel table in a morgue somewhere. I think of how they can do nothing about it.
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When you eat, I want you to think of God, of the holiness of hands that feed us, of the provision we are given every time we eat. When you eat bread and you drink wine, I want you to think about the body and the blood every time, not just when the bread and wine show up in church, but when they show up anywhere- on a picnic table or a hardwood floor or a beach.
If somebody murders somewhere, I have a part in it. Even if I am a sleeper - I was sleeping, I don´t know about the man, I will never hear about him - and somebody somewhere, in the Himalayas, commits a murder, if we are not individuals I have a part in it, I am also responsible. It is not so easy to throw the responsibility: "I am not committing a murder, I am a saint." No saint is a saint because every sinner is implied in him.
She died when I was 16 and I just think no history books, nothing is ever going to talk about my grandmother. She was kind of invisible. She couldn't speak English so didn't have many friends. I think of her any time I think of the word 'sacrifice.'
There's nothing wrong with commercial art. There's nothing wrong with consumer society. There's nothing wrong with advertising. There's nothing wrong with shopping and spending money and being paid. There's nothing wrong with any of these things. These are things we do. I just think it's important to look at them from a different perspective - to see how bizarre and banal these rituals we partake in are. It's just important to think about them, I think, and to carry on. Life is about retrospection, and I think that goes for every facet of life.
This is not what anyone wants to hear, just like somebody who wants to lose weight doesn't want to hear 'diet and exercise,' but I think giving yourself time and abstaining from interaction is the only way to get over somebody.
I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.
I definitely think there's some way to understand how people emotionally feel about somebody, but I don't think data collects it. They're not going to click your bit.ly link or click your TweetMeme retweet every time.
I literally think that if you're in this business, it has to be the only thing you can and want to do, because it's so hard. You have to be fully committed - and partially insane - to wake up every morning and be like, "I'm an actor." I have it in my blood. It's in every pore of my body. There's always something awesome about every project, even with the worst ones. I try to remind myself every time I think about complaining that there are way worse jobs than mine.
For every beauty there is an eye somewhere to see it. For every truth there is an ear somewhere to hear it. For every love there is a heart somewhere to receive it.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
To me, if people think about wrestling, they think about elbow drops, body slams, and stringing somebody in the circle.
You need to know that going in, and you also need to be able to write all the time. So when somebody looks at you across the table and says, "What do you think about a movie where Miley Cyrus switches souls with a basset hound?" You need to be able to sit there and figure out how to make that possibly shootable.
I think when somebody seeks mercy and forgiveness and means it, and I was with [Donald Trump] the entire time, including when he learned about this, people ought to think about that. They ought to think about when somebody asks you for forgiveness contrite and for mercy - are you willing to give it?
Think light! Try to impart a feeling of lightness to the body. Think light. This can be achieved by mentally extending yourself outwards from the centre of the body, i.e., think tall. Think not just of raising your arms but of extending them outwards and when you are holding them still, think again of reaching still further away from your body. Do not think of yourself as a small compressed suffering thing. Think of yourself as graceful and expanding - no matter how unlikely it may seem at the time.
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