A Quote by Laurel Nakadate

I would always say I'm doing a video project. About dancing or birthday parties. Of course, the video becomes more than that. It goes deeper than that. But it's not a lie. It's a starting point.
There's so much information now, and that even goes down to the college game. You have so much video, you can watch every YouTube video of guys and mechanics, and so I just feel like the younger generation's more educated than ever before.
If I say, 'Hey, I'm Psy.' 'Psy?' 'The guy from the video on YouTube?' 'Oh.' I hate that. I've got to be more popular than the video. So I need to keep promoting myself.
When I did 'Happy Birthday,' I wrote the treatment for the video before I wrote the record. And once I wrote the video, I had a clear understanding of what I wanted; I created the soundtrack to that video.
I'm really passionate about the song Sky Spills Over. It was fun creating it in the studio and I've been overwhelmed at the response it gets when we perform it live every night. My son Ryan is a really talented filmmaker so I always enjoy working with him on a project. But what made this project even more special was that 3 of my own grandkids were in the video. This video was a lot of fun to make. I hope people enjoy it!
It is more difficult to manipulate with film than, for instance, video. The problem with video is that it gives you a thousand possibilities.
I did a video with Mick Jagger down in Rio de Janeiro. But I played a video director, and that's the closest I've gotten to directing, except Bob Dylan came and had a few meetings with me about doing a video for him.
I feel like maybe I'm part of that generation that became more of a gamer than a video consumer. It's always been something I've done with my spare time. If I had three hours on a Friday night, I'm not out partying. I'm probably playing video games.
Over half of the traffic that flows over our networks is coming from video. As you think about a business that is going to be video centric and video focused, you want to have scale on the video programming side to be able to take advantage of this.
By investing in diverse asset types from SD video to HD video to 4K video, we can satisfy the video needs of a wide array of users.
If you look at the direction that the world is taking from an advertising and marketing point of view, it is significantly becoming a world that's all about video and all about doing things programmatically. Now what AerServ has is best in-class technology in the form of video programmatic... our acquisition of them gives us that capability.
Click-throughs on a video are often much higher than a standard website listing on the front page of Google. If you see a video in the Google results... it stands out a lot more than a regular website listing does, so [it] tends to attract more clicks.
The YouTube video maker gets more out of making a video than you get out of watching it.
My creative process is a bit manic at times, to be honest. I wake up Monday and Thursday stressed because I don't have a video. I usually - with the exception of maybe a handful of videos - wake up, write the video, shoot the video, edit the video, release the video all in the same day.
If Radiohead made a video where Thom Yorke was featured more than the other members, nobody would say anything.
I didn't have song rights for the first video because I didn't know that it was going to do what it did. So for the second video, I decided better safe than sorry. It is a really gray area as to whether or not you even need song rights to make a video like that.
There's more flexibility in the cartoon world than there is in video games. In video games, if I tweak a line, I could screw up the work of countless other people with my whim.
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