A Quote by Laurel Nakadate
Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.
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Every mind has its particular standard of good and bad, and of right and wrong. This standard is made by what one has experienced through life, by what one has seen or heard; it also depends upon one's belief in a certain religion, one's birth in a certain nation and origin in a certain race. But what can really be called good or bad, right or wrong, is what comforts the mind and what causes it discomfort. It is not true, although it appears so, that it is discomfort that causes wrongdoing. In reality, it is wrongdoing which causes discomfort, and it is right-doing which gives comfort.
If you focus on all the things that could go wrong, you miss the things that could go right.
Your hands learn to do things that you could spend a whole day trying to write about and articulate. There's a discomfort associated with trying to put all those different ways the brain works together. I kind of like to avail myself of that discomfort.
There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we can't know better until knowing better is useless.
One of the things I talk a lot about in my work that I try to practice - which is really hard - is in those moments where we're being asked to do things or asked to take over or asked to take care of something, we have to have the courage to choose discomfort over resentment. And to me, a huge part of my authenticity practice has been choosing discomfort and saying no.
All the writers and producers around us that gave us the environment where we could play. They were able to provide us with a place where we could take chances to play with things, go against the grain and do things that people don't always do.
As long as we're caught up in always looking for certainty and happiness, rather than honoring the taste and smell and quality of exactly what is happening, as long as we're always running from discomfort, we're going to be caught in a cycle of unhappiness and discomfort, and we will feel weaker and weaker. This way of seeing helps us develop inner strength. And what's especially encouraging is the view that inner strength is available to us at just the moment when we think that we've hit the bottom, when things are at their worst.
I think all kids are curious. They're drawn to the bad guy and they're drawn to things that are dark. It's not just simply a desire to be wicked. I think there are things that frighten us in life and, especially children, they want to understand and take it on or understand it so it frightens them less.
To comfort me is like the wrong memory at the wrong place or time: if one is lonely one prefers discomfort.
It has pleased and interested me to see how I could get along under difficult circumstances and with so much discomfort but as I say I was not sent out here to improve my temper or my health or to make me more content with my good things in the East.
I violated, apparently, an unspoken rule that we are supposed to take care of our own. Frankly, if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
I violated apparently an unspoken rule that we are supposed to take care of our own. Frankly if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
And I think that still is true of this business - which is basically research and development - that you probably spend more time in planning and training and designing for things to go wrong, and how you cope with them, than you do for things to go right.
So many things could go wrong, on any film. I've been out in L.A. for eight years and I've been acting professionally for a long time, and you realize that you have to prepare and work hard, but you never know what could go wrong.
You'll see, you'll come to understand. These big things, these terrible things, are not the important ones. If they were, how could one go on living? No, it is the small, little things that make up a day, that bring fullness and happiness to a life.
There seems to be something in the zeitgeist, and maybe it's a function of - I'm no analyst, nor am I a psychologist - when you look at things and say, What if I could go back and change things? I think we live in a world right now where people are asking those questions a lot. What if we could go back and change what we did? How would we change the way we handled things in the Middle East, and how would we change things with the banking industry, and how would we change economic and educational issues?
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