A Quote by Laurel Van Ness

When I first started out wrestling in front of 100 people, I thought, 'Chelsea, you're better than this. You should be working in front of thousands!' But I was crazy. — © Laurel Van Ness
When I first started out wrestling in front of 100 people, I thought, 'Chelsea, you're better than this. You should be working in front of thousands!' But I was crazy.
Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them.
If you want to look good in front of thousands, you have to out work thousands in front of nobody.
Playing music in front of thousands of people never bothered me. It was only when I started putting on magic shows in front of a much smaller audience that I would begin sweating bullets, so I'm much more focused now.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
I've been in front of 60,000 people. Then there are times I've been in front of less than 100. Every single show is going to be something you remember.
I first started playing when we moved from my first house to a house that had a hoop out in front. Every day, I was in front of the basket shooting balls. The basket was regular height, and I was about 5 years old.
I started wrestling when I was five. I lost my first match and cried in front of my dad, and I never wanted to do that again.
You have the intelligence front and the engagement front. On the intelligence front, the French are better than many of their European counterparts. But they are really challenged in two specific ways.
WWE was an opportunity to wrestle in front of thousands - in 2013, I did 227 matches, and almost all of them were in front of more than three or four thousand people, with a high of 70,000 plus. It was an incredible experience to be part of that.
With 'Crazy Story,' I thought it from the back to the front. I thought about the ending first, then what's going to happen.
I'd say it's harder to play with an acoustic guitar strapped over your shoulder for a few hundred people than it is to play in front of thousands with an entire bombastic band behind you. After all these years, I still get nervous in front of people. I can't help it.
I've walked out in front of Madison Square Garden to 20,000 people, which is amazing, as I can remember working in the O2 arena in Dublin as security for wrestling events.
I've done bingo halls and tents in front of 10 people with a cow mooing in the background. Doing that and then going to WrestleMania and the Superdome and wrestling in front of 80,000 people is night and day.
If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
It's a lot easier producing for people or being in the background, and they can take all the fire from the front. But in order to express the ideas that I have without any kind of contamination, I thought it would be a cool thing to be out front.
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