A Quote by Laurell K. Hamilton
[T]hese last few days where I've moped around damn near depressed for real, because of people who do not exist. Not really. I can buy them Christmas presents, but there is no way to send them. Sometimes I feel like I should be able to walk into the next room and there they will be, but they won't. These people do not exisit as flesh and blood, but there are different kinds of reality, and there are days when imagination feels very, very real.
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Reading was a way to make friends or enemies, a way to discover how all these different people exist in the world and to rub shoulders with them. The ability to feel as if you have met someone, as if that person exists in flesh and blood and that you relate to them somehow, makes you feel a lot less lonely. And it also makes you feel very brave.
In all my documentaries, I have great respect for the people I work with. Really, I love them. And it's very important for me that when I finish a movie, they stay my friends. It's important that they won't feel that I in any way manipulated them or showed them in a bad light. I want to show them in all their reality - not as subjects but as people with flesh and blood - but I want to do this with all my respect.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
'Star Wars' is very black and white, and honestly, I like it that way. But fantastical settings like that work best when the characters within them feel real. Real people have conflicts and make mistakes and get it wrong sometimes.
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive.
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Mr. Market is kind of a drunken psycho. Some days he gets very enthused, some days he gets very depressed. And when he get really enthused you sell to him, and if he gets depressed, you buy from him. There's no moral taint attached to that.
So few people vote these days, and I think it's partly because they don't feel like the institution really means anything to them. If you want them to vote, give them opportunities to do something else other than vote, to help.
I have very few real friends because I don't really feel like I fit in with a lot of people.
In wrestling, people just throw each other around, possibly actually bleed, and are still friends in the locker room afterwards. But there's a real glee - a feeling goes up in the arena, especially on non-TV days. If it's just people in a room and somebody starts to bleed, that's very exciting.
It matters so much that from a very early age we encounter different kinds of different people, because that's what real life should be about as well.
When people ask whether virtual reality will be a real thing or just the next 3D, what I always say is, 'Take a headset, walk outside, and the next person you meet, put it on them and see what the reaction is.'
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