A Quote by Laurell K. Hamilton
When sex is necessary for the plot of a book, or a character development, then I don't shy away from it. Why should I?
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Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
Human beings are created with empathy. Art serves that purpose. So why should I be disinterested in a character who's a man, and why should a man shy away from a show that's female-driven?
And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
I'm certainly a plot and character man. Themes, structure, style - they're valid components of a novel and you can't complete the book without them. But I think what propels me as a reader is plot and character.
The character can never be static from book to book. People might think you just come up with a new plot and stick this guy in. Well, he has to be as new as the plot every time.
The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
I don't think it's necessary to shout if you have a good story. But I also don't think you should shy away from being bold in the statement that you're making.
When you make sex to a person, woman or man, you think it unites you. For a moment it gives you the illusion of unity, and then a vast division suddenly comes in. That's why after every sex act, a frustration, a depression sets in. One feels that one is so far away from the beloved. Sex divides, and when love goes deeper and deeper and unites more and more, there is no need for sex. Your inner energies can meet without sex, and you live in such a unity.
Plot is very important to me, but I think my stories are stronger in character development.
I'm not really good at character or plot development. I'm just interested in big comedic moments.
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
To confound the tyranny of man there should exist for a century a third sex, both male and female, and stronger than men. This new sex would prove with the lash that men as well as women are made for its pleasure; and then you would hear men protesting against the tyranny of the hermaphrodite sex and admitting that strength should not be the sole rule of right. Just why do they refuse to grant the women the independence which they would demand from the third sex?
I plot as I go. Many novelists write an outline that has almost as many pages as their ultimate book. Others knock out a brief synopsis... Do what is comfortable. If you have to plot out every move your characters make, so be it. Just make sure there is a plausible purpose behind their machinations. A good reader can smell a phony plot a block away.
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