A Quote by Laurell K. Hamilton

I like conventions. I like meeting and greeting. I'm perched on that edge where I'm getting more attention than I quite know what to do with, though. — © Laurell K. Hamilton
I like conventions. I like meeting and greeting. I'm perched on that edge where I'm getting more attention than I quite know what to do with, though.
I think for any actor to say they don't like attention is ridiculous. Of course we love attention. But getting attention is different than pretending the attention means something.
Between Twitter and Facebook and how close you can be with your fans and how close they can be to you these days is, I think, quite miraculous. It's like getting a greeting card every single day.
Horror movies are all about getting your attention; you always have to be on guard. People love to be on the edge - there's nothing like a surprise.
I really like to know people from a lot of places. It's like the world is a really big city that you just keep meeting other people that you've met in different cities before. It's quite crazy, but it's quite nice.
The highlight of my career was my first sale, to F&SF, in 1989. Nothing yet has topped that moment. I was weeping in joy and relief. Publishing one story was all that I ever wanted, or expected. Everything since then - award nominations, getting into best-of anthologies, meeting my idols at conventions, drinking with my idols at conventions - has been wonderful, but it's all gravy.
He...boasted an unassuming mustache, which was perched atop his upper lip cautiously, as though it were slightly embarrassed to be there and would like to slide away and become a sideburn or something more fashionable.
We [the Moderns] are like dwarves perched on the shoulders of giants [the Ancients], and thus we are able to see more and farther than the latter.
I don't have ADD, but I only like to pay attention to the things I like to pay attention to, and things like getting a TV and getting the cable working are beyond me, and so I let such things lapse, sometimes for years. This applies to keeping my apartment clean.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
Perched upon a bust of Pallas, just above my chamber door,- Perched, and sat, and nothing more.
There's nothing more daunting than a musical, but there's also no more direct line to joy. Getting there, though, is like pushing treacle up stairs.
After a while, you just want transportation, and things like cool cars or motorcycles are all about getting attention. I get all the attention I could ever need, so I kind of like being in a minivan and people not paying so much attention to me.
I just turned 40, and I look at so many performers and so many people who are actually always on time and always have an album out. They don't have actual lives, in my opinion. I feel like I'm so much more than being famous and meeting a musical quota. And I don't know, just the weight of the scrutiny and attention is too weird for me.
When a regular guy like me starts getting attention, it's natural to want more. I wanted the next video to be bigger than the last.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
I know people haven't really paid attention much to me in the past. I had to establish myself, and I have. Of course, now I'm getting the attention, which I like it. Not going to lie.
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