A Quote by Lauren Ambrose
I think a woman can come into her power at any age.
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I think that the story of a woman who is coming into her powers can really happen at any age.
Every woman whether rich or poor, married or single, has a circle of influence within which, according to her character, she is exerting a certain amount of power for good or harm. Every woman, by her virtue or her vice, by her folly or her wisdom, by her levity or her dignity, is adding something to our national elevation or degradation. A community is not likely to be overthrown where woman fulfills her mission, for by the power of her noble heart over the hearts of others, she will raise that community from its ruins and restore it again to prosperity and joy.
It's because it was at a time when women didn't have any power. It was so unusual for a young woman in her 20s to have power that I seized the power but tried not to flaunt it.
What is a woman's power then?" she asked. "I don't think we know." "When has a woman power because she's a woman? With her children, I suppose. For a while..." "In her house, maybe." She looked around the kitchen. "But the doors are shut," she said, "the doors are locked." "Because you're valuable." "Oh yes. We're precious. So long as we're powerless.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
One of the basic tenets of radical feminism is that any woman in the world has more in common with any other woman regardless of class, race, age, ethnic group, nationality - than any woman has with any man.
Monarchs not only fashion their age, but are fashioned by it, so that they can become a sort of personification of the age. If Elizabeth I, independent, strong, represents the age of Shakespeare's heroines, a woman's heyday, Victoria represents another image of womanhood, predominant in the nineteenth century: a woman who, although queen in her own right, leaned on her husband, looked up to him, and went into perpetual mourning after his death. The feminist movement filled her with shocked horror and outrage.
The corporate woman has been defined as the 'liberated woman' and I see that as the exact opposite. I think she now is more enslaved, maybe even more than the housewife was; because she's so out of her power, and imitating male power is not female power.
To marry a woman with any success a man must have a total experience of her, he must come to see her and accept her in time as well as in space. Besides coming to love what she is now, he must also come to realize and love equally the baby and the child she once was, and the middle-aged woman and the old lady she will eventually become.
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
Actually, if I could find a woman who was that wonderful; that understanding, well, I'd give her everything in the world that was in my power to give. And, I'd love her more than I ever thought it possible to love any woman.
Woman must come of age by herself. This is the essence of 'coming of age'-to learn how to stand alone. She must learn not to depend on another, nor to feel she must prove her strength by competing with another. In the past, she has swung between these two opposite poles of dependence and competition, of Victorianism and Feminism. Both extremes throw her off balance; neither is the center, the true center of being a whole woman. She must find her true center alone. She must become whole.
From the manner in which a woman draws her thread at every stitch of her needlework, any other woman can surmise her thoughts.
I guess I'm a survivor. There are many of us survivors and any successful woman of my age has somewhat of that in her.
But is there any reason to believe that a woman's spiritual fibre is less sturdy than a man's? Is it not possible for a woman to come to terms with herself if not with the world; to withdraw more and more, as time goes on, her own personality from her productions; to stop childish fears of death and eschew charming rebellions against facts?
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