A Quote by Lauren Bacall
You learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you're a New Yorker? The world doesn't owe you a damn thing.
Related Quotes
We could cope—the world could cope—with a Jesus who ultimately remains a wonderful idea inside his disciples' minds and hearts. The world cannot cope with a Jesus who comes out of the tomb, who inaugurates God's new creation right in the middle of the old one.
Growing up in New York is like living in a horror museum because there are so many strange people walking the streets and riding the subways. You learn to develop a tough front if you live here, just in case you get into any kind of trouble and you need to talk your way out of it.
The first thing you have to learn when you go into the arts is to learn to cope with rejection. If you can't, you're dead.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
It is time for a new generation of leadership, to cope with new problems and new opportunities. For there is a new world to be won.
There are three steps you have to complete to become a professional dancer: learn to dance, learn to perform, and learn how to cope with injuries.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
That's the first thing you learn when you busk in the New York City subways: you immediately join the ranks of the marginalized, the unhinged prophets, the Christian shouters, the Hare Krishnas, the Jehovah's witnesses, the father-and-daughter kitaro team, the violinists playing for their sickly wives.
I stay standoffish in a sense, in my own personal space, to be able to cope with whatever it is you've got to cope with.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.
I lived in New York my whole life. Like every New Yorker, I have stories about spending summers on the Jersey shore, riding the roller coaster in Seaside that is now famous for that sickening photo of it being washed out to sea.
You can always cope with the present moment, but you cannot cope with something that is only a mind projection - you cannot cope with the future.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
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