A Quote by Lauren Bacall

Well, the people I've known I must say are extraordinary. When I think about some of them, I can't believe that I knew them all. And I think the reason I knew most of them at the beginning was because they were of Bogie's generation, 25 years my senior, not mine. But they were the most talented people of all.
Most of the artists were trying to make a living, trying to get laid, trying to figure out who they were. They weren't trying to change the world. That's what other people put on them. I knew all those people. I knew them all, intimately and well. Bob Dylan. I would say that Bob Dylan is as interested in money as any person I've known in my life. That's just the truth.
I knew that people were going to talk about it, I knew it was embarrassing, and I knew it was a big deal. But did I think that it was going to be this thing that followed me for, you know, the next years to come? I guarantee you, 25 years from now, I'll be known as the girl that lip synced on 'SNL.' But, you know, it was a weird thing. Not fun.
Veronika had noticed that a lot of people she knew would talk about the horros in other people's lives as if they were genuinely concerned to help them, but the truth was that they took pleasure in the suffering of others, because that made them believe they were happy and that life had been generous with them
You're missing it. This is not a one-man show. What's reinvigorating this company is two things: One, there's a lot of really talented people in this company who listened to the world tell them they were losers for a couple of years, and some of them were on the verge of starting to believe it themselves. But they're not losers. What they didn't have was a good set of coaches, a good plan. A good senior management team. But they have that now.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
At some point in my life I realized I knew only celebrities, I didn't know any real people. I think it was a master stroke of Fate that in researching the greatest celebrity of them all, I would at last be meeting real people, finding them more extraordinary than celebrities; fascinated by them all and enjoying enduring friendships with some.
There is a whole generation of women and it was as if their lives came to a stop when they had children. Most of them got pretty neurotic - because, I think, of the contrast between what they were taught at school they were capable of being and what actually happened to them.
I think most people, if I asked, would say, "Yes, of course I believe." But I think for a great many of them it doesn't really make much difference in terms of either what they do with their lives or with their own inner well-being. They believe because so did grandfather, and that's the same church they've been going to all these years.
I finally stopped worrying what people would think. I found out that almost everybody has some secret, some dark fear that if people knew this about them they wouldn't like them anymore, or would look down on them.
When I received the invitation to "check out" Fairport I knew absolutely nothing about them, all I knew was that they were beginning to establish themselves as an underground favorite, by playing regularly at the UFO club in Covent Garden. But the crowd I was running with at the time were listening to a completely different genre of music. So I had nothing to go on, there was nothing on vinyl, Fairport's recording days were still ahead of them.
I suddenly started feeling that the magic of psychedelics wasn't in some other world or some other place, but that they put you in communication with other people. Most of the really heavy things that happened to me were when I was stoned with other people, - when it get all honest, when it got really high and all golden and beautiful and bright and white-colored under the power of truth, when you looked at them and saw true compassion, and you knew they really did love you, and you knew you really did love them.
We couldn't generalize on the people. Some of them were known to be tough guys and they didn't say much, but some of them were kind of soft-headed, but they did that. That was an East German film.
There's the generation that made the rules, the generation that codified them. The generation that broke them - that's mine. The generation that laughed at them - that's Tarantino's. And now there's a generation that doesn't know that there were any.
I have known a number of Don Juans who were good studs and who cavorted between the sheets without a psychiatrist to guide them. But most of the busy love-makers I knew were looking for masculinity rather than practicing it. They were fellows of dubious lust.
We had to do something at [a festival in Washington, D.C.]. I remember Chris Martin, by then we all knew him, there were certain people who were regulars. He would say, "Oh, my God, you guys, I think I'm going to throw up." It was a daytime festival, and they went on right after some really heavy band, and he was saying, "I don't think I can do this. I think I'm going to throw up." He was in the bathroom thinking he was going to be sick. He said, "They're going to hate us." In fact, they hated them. They hated Coldplay - did not go over well. His instincts were correct.
One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.
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