A Quote by Lauren Bacall
the real stakes in the theater are high - they are life stakes. That's what I love about it. You gamble with your life, and that's a gamble worth taking.
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High stakes, low stakes, poor or rich - people will find a way to gamble.
Baseball is a little bigger gamble than most, and the stakes are pretty high.
Although I don't gamble in life - I've never played poker - I do gamble on stage. I gamble with myself: 'Can I do this?'
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
We think it will be shortly afterwards, but it seems a terrible thing to gamble with such big stakes in diplomacy without having your master card in your hand.
I see Macbeth as a young, open-faced warrior, who is gradually sucked into a whirpool of events because of his ambition. When he meets the weird sisters and hears their prophecy, he's like the man who hopes to win a million - a gamble for high stakes.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
Gamble, cheat, lie, and steal. Let me explain: Gamble for your best shot in life - dare to take risks. Cheat those who would have you be less than you are. Lie in the arms of those you love. And finally, steal every moment of happiness.
You don't gamble to win. You gamble so you can gamble the next day.
I used to sports gamble a lot and I was getting killed on that but then I found poker and really enjoyed it. But it was a hobby more than anything else. I played it every day but only on pretty small stakes.
I honestly think vulnerability is a beautiful thing: it's tenderness, authenticity, and risk-taking. It means you're living a life where the stakes are high and you are continuing to push your own boundaries and learn new things. It keeps you flexible and young.
Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
In an archery contest, when the stakes are earthenware tiles a contestant shoots with skill. When the stakes are belt buckles he becomes hesitant, and if the stakes are pure gold he becomes nervous and confused. There is no difference as to his skil.
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
If you take real-life circumstances and take out all the pauses then you have a thriller. It has to be non-stop, high stakes and fascinating all the time. Real life is like that from time to time.
We may gamble on outsmarting the law; we may even gamble on the leniency of man and the mercy of God-but no man ever won a gamble with his own conscience. Even should he think he has beaten his conscience into submission, his misdeeds still leave their mark upon him. Anyone who gambles against this fact has already lost his gamble.
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