A Quote by Lauren Bacall

I studied dancing for 13 years. And loved to dance. Always wanted to dance with Fred Astaire. — © Lauren Bacall
I studied dancing for 13 years. And loved to dance. Always wanted to dance with Fred Astaire.
I loved Fred Astaire's way of dancing. He led you into the dance.
Michael Jackson loved studying the greats. He felt that they could only add to what he did naturally. He was absolutely right. I mean, he studied James Brown for years when he was 10 years old, because the Jackson 5 would open for James. He studied him. He studied Fred Astaire. He loved to watch Fred's movies.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'
I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.
TV has made dancing less important. It used to be a real treat to go to the movies and see Fred Astaire dance. But now you see dancing every time you turn on the set. You see lines of girls on the variety shows - even girls dancing around a big box of cleaning powder for commercials.
Fred Astaire, Gene Kelly, Donald O'Connor - those were my idols. All I ever wanted to be was a motion picture song-and-dance man. I kind of fell into other things. Did walk-ons and bits for years and worked in little theater at night.
I've always had an innate ability to dance, but I'm not as spiffy as those cinema legends like Gene Kelly and Fred Astaire.
If Fred Astaire is the Cary Grant of dance, I'm the Marlon Brando.
Dancing in Tijuana when I was 13 — that was my 'summer camp.' How else do you think I could keep up with Fred Astaire when I was 19?
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.
I have always loved dancing. I am always that crazy girl on the dance floor, dancing by herself.
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