A Quote by Lauren Bacall

It was Howard Hawks who changed my life. — © Lauren Bacall
It was Howard Hawks who changed my life.
It's in the Hawks' DNA to win one, so I want to be a part of the Hawks' DNA and the Hawks' lineage of guys who have won a Slam Dunk Championship.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
When I was younger, all my friends were older - John Ford, Howard Hawks, Alfred Hitchcock, Orson Welles, Jimmy Stewart and Cary Grant. I loved talking to those people.
For every role, I brought certain elements of the character. Even on 'White Collar' over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
I am a passionate devotee of the Howard Hawks' screwball comedies of the 1930s and the 1940s, where I think that the relations between men and women were at their civilized height in terms of banter and exchange of wit and equality.
For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
The old rule in Massachusetts politics is shape of the field determines the winner. If you have got a whole bunch of hawks, all the way from [Mike] Huckabee all the way across to [Chris]Christie, that covers the spectrum on every other issue, all hawks, all hawks, and one guy out there saying, not me, Jimmy Carter won that way back in `76. I know it`s 1,000 years ago.
Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot.
But if one could go back in time, I'd love to have been directed by Howard Hawks, who's one of my great heroes. One of the greatest directors there ever was. He directed probably one of the greatest westerns of all time in 'Rio Bravo'.
I'd been a fan of old film comedies like Preston Sturges and Howard Hawks movies - the fast-paced dialogue in movies like 'His Girl Friday' and 'Bringing Up Baby' and 'Twentieth Century' and 'Sullivan's Travels.'
I am a big fan of the old Howard Hawks films from the 30s and 40s, I was a big Hepburn and Tracey fan for a while and Woody Allen films that are a very different kind of romantic comedy.
Howard Hawks said he'd like to put me in a film with Cary Grant or Humphrey Bogart. I thought, "Cary Grant-terrific! Humphrey Bogart-yucch."
I knew that we had an obligation and that was to keep an energy in it and try to keep the audience interested. In fact, I asked some of the actors to take a look at His Girl Friday, a Howard Hawks film with Rosalind Russell and Cary Grant, because they talk over each other and there's a great energy.
As a kid I watched the Academy Awards on television and always wanted one - or several - like one of my favorite directions, John Ford. He won six. On the other hand, Orson Welles, who's on the top of my list, didn't win any. Alfred Hitchcock didn't win any. Howard Hawks didn't win any.
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